[ « He's here. Here, in Bright Falls. He's here somewhere. Can you find him? »
Jesse Faden presses her nuckles to her lips. It's still early evening. They have a handful of hours before the sun sets. That is plenty of time to find their missing writer and prepare for whatever terrors are in the night.
She's in her tacticle gear--ready for a fight.
This loop has been drastically different. They were never tipped off that Anderson and Casey found Alan. Maybe they hadn't found him yet. The monitoring site was a disaster the moment she and Steve arrived. "Racoons", they said. There were multiple alerts about the active AWE. Estevez went ahead to investigate while Jesse and Steve did what they could to fortify the site.
Then, she felt him. Or, Polaris did and told her.
Alan Wake was in Bright Falls.
She remembered the first loop--what she could anyways. Their relationship, the fact it was written out of the story. Now, she hopes Alan kept true to his promise and wrote it back into this version. It's so different that maybe he did...
Steve cuts the engine outside the Sheriff Station. Estevez had sent word that they had set up there. Jesse wastes no time exiting the rental, slamming the door shut, and pushing her way into the double doors.
« He really is here. Where? » ]
Director Faden. We have the situation under control. Lights outside with power, a black rock holding cell. It's not protocol, but with the limited resources--
Where is he? You took a parautalitarian into custody, didn't you? Alan Wake. Where did you put him?
[ Estevez blinks as she is cut off and looks to Steve as he enters the building. He pulls the aviators off and shakes his head. The new director will just know things, and apparently, the Polaris Resonance hasn't made its way down the chain. ]
Yes, I mean. We did find and confirm him at the site of the Motel here in town. The Cult of the Tree attacked, Wake was in the forest outside. We have the two leaders of the Cult here too. They're beside him. Director Faden. We've got this covered.
Where. Is. He? [ Jesse catches a shimmer beyond the door. Without waiting for directions, Jesse is pushing the door to the holding cells open.
Steve sighs and shakes his head . He's going to be the one to catch up the field agents on everything. He takes a look around, then gestures with a nod of his head. ]
Got any coffee? I'll go over the basics, Estevez. Which, reminds me. We brought something with us from the Oldest House for everyone...
[ Jesse immediately rounds the corner and sees the three occupied ones. She ignores the first two grumbling pacing people, muttering about the Cult and their job. A glance is spared at them, but her attention is more on the cell that Polaris shimmers towards. In a few almost instant steps she's there at the front.
He's sitting on the bed provided in the cell. Head in his hands. Long hair, beard. Jesse feels her heartbeat skip. Then, it speeds up.
He's really here.
How long has it been since they actually met in person? The Motel is one thing. Messages sent through dimensions is another. This, though, feels so, so different.
Her hands curl around the bars and she leans against the cell doors. She doesn't say anything at first, not wanting to rattle him. Instead, she rests her forehead on the bars and waits. The moment passes into two, then three.
Finally, she speaks up: ]
What did they get you for? Speeding? Jay walking? Oh, flannel out of season?
[ « A joke. That's a good start. »
The two men in the cell next door make biting remarks under their breathe. She sends them a pinned glare. It makes the louder one straighten up and the quiet one rinse his eyebrows. She turns her attention back to Alan. ]
[ Where are they? I know I wrote them into the story again. I promised. I know they have to be here.
Alan remembers that being one of his last conscious thoughts before everything went to hell and he was dragged along with it. What else was he doing before the whole world went black? Casey was somewhere, and Alan needed to find him. The cultists were dead. He wore bloodstained flannel. The woods seemed to be reacting, recoiling... recoiling from the looming darkness?
And then the path lead him to a bridge, but as soon as he set foot on it, the pressure in his head increased. He fought, he wrestled with it, tried to keep his fragile hold on his sanity, but in the end, it all failed. He fell, head striking the ground hard, and all went black.
He doesn't remember being dragged from where he was found and brought to a holding cell in the sheriff's station. He doesn't remember the agents depositing him onto a bed inside the cell. He doesn't remember anything but the hell inside his head. Even unconsciousness doesn't spare him from harrowing, horrifying nightmares.
It's black inside his mind, and he's lost in the dark. Not just lost: blind. Fumbling for an exit that doesn't exist. A face, terrifying and evil appears before him: blood around his mouth and on his teeth. Scratch. He bares his teeth and lurches closer to Alan.
Alan jerks on the bed inside the cell, but the nightmare isn't over yet. I'm better at being you then you ever were. I'll take your life, take everything you have. Everything you ever wanted. Friends? They're mine. Love? That's mine too. It's all mine. You'll have nothing by the time I'm done.
Bared teeth come closer, and Alan feels a sharp pain, as if teeth have connected with flesh. The nightmares have turned Scratch into a monster that relishes the taste of blood and the feel of flesh. Not a silly vampire from a dramatic novel. The pain increases as the teeth sink deeper. Alan screams, and in the cell, his eyes fly open.
The Koskela brothers laugh at the man locked in the cell. They laugh as Alan gasps, hands flying to either side of his throbbing head. He doesn't know what time it is, doesn't know how long it takes for his panic to fade into something less sharp, less cutting. The pain in his head doesn't go away, but eventually, Alan regains enough of his senses to be able to sit up in the cell.
Where are they? Where are they!? He can't- he can't have gotten them too. Did he change the story? Did he take them out, when I wrote them in? ...Are they dead? God, please tell me they're not dead.
Time seems to continue slipping on by with Alan still being unaware of the passage of time. It feels like hours, and maybe it is. He's dimly aware of the men in the cell next door pacing around, grumbling, sometimes throwing jabs at him. None of it seems to matter. Alan doesn't move from where he's sitting.
Sometimes other voices register in his mind. Voices he doesn't know. The sheriff, maybe. But there's other voices, new ones: a man and another woman. The man sounds friendly, but resigned. The woman sounds tense. On edge. Alan can relate.
Then there's the sound of a creaking door and approaching footsteps. Alan still doesn't lift his head from his hands. Whoever's coming, it can't mean anything good. Is "good" even a concept in the world anymore? Everything feels like horror and death, corruption and loss of control... and blood. So much blood. The blood has soaked into Alan's flannel shirt, and the metallic smell is enough to make him sick. Maybe he'll never forget how nauseating the scent of clothes soaked in blood can be.
Someone's approaching. The steps are resolute but not heavy. Somewhere between light and heavy. Where are they?
Slowly, so very slowly, Alan's head lifts from his hands. He sees someone standing at the bars, hands curled around them, and forehead coming to rest against them. Wait. He sees a flash of red hair, and his breath leaves him in an instant. He knows that voice. It's the voice he hears in his mind sometimes. Memories. Dreams? What's the difference between a memory and a dream? ]
.... Jesse?
[ She's here. She's safe. Relief washes over him in spite of himself, and for a moment, he forgets about everything that led him here. He forgets he's in a cell covered in blood. Forgets the pounding in his head. He smiles, and it probably looks unsettling, given his rough appearance, but at least it's a smile. ]
It was definitely the flannel. [ The comment earns him a few more derogatory words from the men in the cell next door, but he ignores them. He's just glad to see her: the closest thing here to a friendly face. ]
[ If she had heard that particular narration, she would of said her face had better be friendly after everything. The loops are still fractured memories, but she remembers their time crossing in other ways. Messages, the dreamlike Motel. Something tells her that she would of remembered even if Alan didn't write it into the story. It's one of those things she would fight his story about.
The expression in her jaw and face says the Director of the Federal Bureau of Control except her eyes. That fond smile only he gets is shinning brightly there. Something he should be able to pick up immediately on after their---well, time together. Maybe it comes off as unnerving or clashing to see the controlled woman speaking in her body language, but, she imagines it can't be. Not when he's a best selling novelist. ]
It's seen better days. [ She nods to the shirt... under shirt... everything he's wearing. ] I'm guessing it's not from rolling in the hay at pre-Deerfest festivities.
[ « He looks like hell. What the hell is happening in this AWE? It's different--I mean, different enough. He's usually covered in mud or soaking wet. Not... Taken don't leave blood behind. »
Her expression falls slightly as she is about to ask him something else before Ilmo Koskela smacks his hand on the bars. Jesse's gaze moves over to him, even if her head doesn't move from resting on the bars.
« Wait, THEY'RE the leaders of the Cult? The brothers with the ridiculous commercials? Damn. They were funny too. » ]
You better step the fuck away if you know what's good for you. You can't TRUST that sonovabitch! He's gonna kill you! All of us! [ Ilmo jabs his hand through his cell and points directly at Alan. ] Go tell those government fucks to let us out and let us finish the job. He dies, it all stops!
Illmo's right. [ The quieter brother pitches in. ] It's his fault. If you don't put a bullet in him then we will.
[ Jesse's eyes move back to Alan. Her expression doesn't change, but she seems to ask him something along the lines of "What the hell have you been doing?" without asking. She pushes herself up from the bars and door, fingers moving to the lock. She doesn't need the key to get out. Not when she can cheat a little bit with her powers. That and she may have forgotten to ask Estevez for the key. Her tunnel vision on finding him kicked in, just like it had for Dylan. ]
I hope you're in good enough condition to walk, Wake. I'm moving you. [ Another quick glance is given upwards, making direct eye contact with him. She has to be the Director, and hopes he doesn't take it personally or the wrong way. It's just until she can get him somewhere else. Somewhere with more light. ] I'm going to override and say keeping you next to the two cult leaders is a bad choice.
Are you fuckin' stupid, woman? [ Ilmo slams against the cell door as Jesse motions for Alan to walk over to the door as it unlocks. ] Did you not hear a single word we just said? He's gonna kill us all if you let him out and don't let us take care of this! You ain't a local, and you ain't a fed, so who the hell are you to decide what happens in our town?!
[ Jesse keeps her hands on the door of Alan's cell and keeps it shut with her powers. A long breath comes from her. One more glance is sent up to Alan before her head turns to the two crowing brothers. Her gaze is piercing and calculating again, looking each one of them over. She can't profile like Anderson, and she's damn well not a cop, but she can be just as intimidating when she wants to be.
At least, she thinks she seems that way. ]
The both of you are under arrest for suspicion of paracriminality, breaking not only natural laws of the way things function, but purposely causing it. If I were you two? I'd shut the hell up before you say something very stupid to the Director of the agency that has you under lock and key. [ She turns to the two cells as if to accentuate her point. The brothers stand straight and stare in disbelief that well--someone as young and not federal looking is who she claims to be. ] Let me see if I understand this. You two lead a local cult, suspected of murders that turn people into shadowed individuals. Ones with no will, no mind, and all their humanity carved out. They run rampant in the middle of the night and kill others. And now, you're claiming it's all Mr. Wake's fault, and that if I don't let you kill him, he's going to kill us.
You do realize that sounds absurd to someone who deals with this shit every day? [ She nods to the doors. ] I'd suggest you step back before you make an even worse impression on me. Now, shut up. Last warning.
[ Jesse looks back at Alan with a slight apologetic look on her face. Not for the display, but for what she'll have to do next. She's still the Director. She has to make sure people around her safe--especially when they don't really know what the hell is going on with him. All the field agents know is that he's a parautalitarian and quite possibly the cause of what's going on. She needs to make sure everyone feels safe--even if she knows none of them really are.
She swings the door open and pulls out a pair of handcuffs. Pure black in color, and obviously not standard use. She motions for him to give up his hands and gently cuffs him. Then, with one more apologetic glance upwards, she gestures with her head for him to walk with her. A hand curls in the blood soaked flannel sleeve and she starts to guide him from the holding cells even with the brothers crowning on.
« Remind me later that they're not as funny as I thought they were. »
Jesse holds up her other hand when Estevez suddenly jumps from her seat at the sight of Alan out of his cell. ] I've got it handled, Estevez. Calm down. Get the rest of the supplies together and set up. Sevastopol? Instruct Estevez and her team how to set up a Control Point. I'll do the finishing touches later.
[ Steve gives a low whistle and a smirk. ] "Sevastopol"? I guess that means the boss is in--ow!
[ Estevez turns her head as Steve rubs the back of his head and chuckles. Jesse glares at him for the moment, but understands what he means without really saying it. She gently guides him down the hall to the Sheriff's Office. A location that Alan should know well, but, Jesse wouldn't be aware of that fact. Her mind is on the fact that it might be one of the brightest rooms in the whole facility and sundown is a few hours away.
She closes the door behind them and guides him to the couch. Then, she unclicks the cuffs and slides them back into the pocket of her tactical vest. She then grabs a stool with wheels and quietly sits down in front of him. Her eyes look over his wrists at first to make sure the cuffs didn't leave a mark, then, they raise back up to his.
« God, he really does look like hell. What happened? I'll ask that later. He... looks like he just needs a minute. Or an hour. I think we can do that. Let's start out small. »
Polaris shifts in agreement. Then, for the first time in the span of the last few minutes, she shimmers. Just to reach out to the torchbearer briefly.
She gives him a small smile and not with just her eyes this time. Her hands hang between her knees as elbows go on her knees. She hunches over so she can speak quietly, just between the two of them. Not that she thinks he'll really be able to talk much. He seems lucid, unlike so many other loops, but she's not entirely sure just yet.
[ Alan stares at her through the cell bars, watching her. Taking in all of her features all over again. The red hair. The greenish eyes. The way her jaw slides to one side when she talks or is thinking. He sees the Director standing there, but he also sees Jesse. The way her eyes have lit up makes Alan feel warmer, as if he's being bathed in the light from them, even though the cell is dark.
The cell is dark. It makes Alan's skin crawl, and his gaze shifts to one side as if looking behind him to ensure that there's nothing lurking in the dark with him. When he sees nothing there, he shifts again, returning his gaze to look at Jesse through the bars. ]
Deerfest... Deerfest festivities. [ The words slide off Alan's tongue normally, but the meaning behind them is lost on him. ] There won't be a Deerfest this year, not if- if things keep going the way they are. It's my fault. His fault. [ The cult's fault. But I wrote the cult in, didn't I? Or did he do that? Does it matter? The cult is here.
Alan is about to say something more when Ilmo slams his hand against the bars, causing him to jump almost out of his skin. Jesse might not have moved away from the bars, but Alan's taken a step back. And then the floodgates from the two brothers open, and with each word, it becomes clear that it's having an effect on the writer. One hand slides up to the side of his head, and the other blindly takes hold of the cell bars in front of him.
If you don't put a bullet in him then we will. Alan's hand curls tighter around the bars, turning the skin of his fingers white from the pressure. Put a bullet in me, I'm done. But I can't be done. I have to keep writing. I know what happens if I stop. He gets in. He creates the horror.
His gaze shifts again as some semblance of awareness returns, and he sees the pointed look in Jesse's eyes, and the unspoken question there. When she finds out, what will she think? ]
You're... moving me? It's- It isn't safe. He could come back. Could come to find me, and you'll all be in danger. [ Never mind that the danger never stops, not really. ] Don't you think I should stay here?
[ The sound Ilmo makes as he slams against the cell door causes Alan to jump again. The darkness of the holding cells and his rattled nerves are really starting to get to him. He sees the way that Jesse is looking at him, how she pins him with a direct stare. She's doing something. Planning something. And he needs to go along with it. Luckily for them both, he trusts her. She's shown him he can trust her, and then some.
He ducks his head briefly as another diatribe spills out from Ilmo. And then he hears Jesse's response, another flood of words, and certain words from both of them cause Alan to flinch and recoil. "Shadowed individuals." "He's gonna kill us all." "Humanity carved out." "It's all Mr. Wake's fault." "Now, shut up."
It isn't until he spots the cuffs in Jesse's hand that Alan understands the reason for the look of apology she's giving him. Inwardly, he's shrinking back. Outwardly, he tries to appear unaffected. It doesn't quite work, but he knows what she's doing. It's necessary. He's a danger. The people here don't trust him, and why should they?
With that thought in his head, he raises his hands so she can put the cuffs on him. And at her gesture, he follows her, only occasionally stumbling here and there when uncertainty tugs at his mind. His gaze travels down to where her hand is curled into the blood-soaked fabric of his sleeve. How can she touch me? Can't she see the blood? How could she miss it? It's everywhere.
The blood is on his hands and on his face, flecks of it clinging to his beard. Even the briefest glimpses that Alan gets of it is enough to cause a recoil. And just when he thought he couldn't be more traumatized. The stakes are always raising, and the effects on him seem to grow all the time. But he clings to one simple thought: Jesse is here. She'll have a plan. Guidance. She'll know what to do, even if Alan doesn't.
He stays silent throughout the brief exchange with Estevez and Steve. Steve's safe too. Good. As safe as anyone can be, I mean. But then they're moving again, and Alan quietly follows Jesse down the hall. He knows where they're going. He's gone this way before too.
She guides him a few steps more to the couch in the room, and he sinks into it, even though a warning goes off in his mind that he'll get blood on the couch. It's too late for that, most likely. Maybe most of the blood has dried. He sits still as she removes the cuffs, aware of her perusal as she examines his wrists and then looks to meet his gaze.
What now? Another interview? I know she has questions. He tries to smile in return, but it's a ghost of the smiles he's given her before. He's with her, not spiraling too much yet, but it really feels like he's holding on by barely a thread. Maybe talking to her will restore some of those lost threads. She has that effect on him, somehow. ]
Hey. [ At least he can respond, right? Right. ] It's been... it's been a little while. [ His left hand shifts to grasp the sleeve with two fingers, pinching the flannel between them. ]
...You're going to interview me again, aren't you? [ He knows the routine by now. Somehow. ] How many times have we done this? I've- I've kind of lost track.
[ "There won't be a Deerfest this year." "It's my fault. His fault." "You'll all be in danger."
The more he speaks, the more notes she makes in her mind. Maybe she would have asked what he meant at one point. Except he's jumping at every sound in the darkened cells, and his knuckles are turning white at every jab the brothers are sending at him. The little details haven't escaped her notice. She may not be a novelist or a writer, but she knows Alan. At least well enough to see the little details coming out about his behavior. She can tell when he's being washed away, when something truly frightens him, and when he's just being an asshole.
Right now it seems he's left frightened behind a few days ago.
She wouldn't call it having a plan. Can she have more than what the architecture of the AWE gives her? Jesse feels she has something vague like a plan. Things she has put together over all the memories she's managed to maintain this time around. Things she's learned through Alan's trial and error, and things through her multiple failed attempts to reach him in the Dark Place.
« If anything? We'll have a base of operations. It's not full proof. We'd need more power... more light... but I guess we can provide the power if needed. We probably will. Would you be willing to do that? »
Polaris shifts.
« I thought you'd say that. »
The handcuffs are made of black rock. The idea is to trap a parautalitarian's powers. Jesse knows his doesn't work like that, but no one else does, so it was a move entirely of comfort for them. If she had the option? She would have walked him out of the cell blocks holding his hand. They don't have that luxury when everyone knows that Alan caused the AWE in 2010 and has most likely caused the one they're all living through at the moment. Regardless, that's why she had checked his wrists. She wanted to make sure the cuffs hadn't damaged or hurt him in any way. ]
Has it--I mean. I guess. [ Jesse shakes her head lightly. He would know better than her. Dreams and the in between loops all blends together for her. Though, given he's the one writing the story? He'd be the one to know how long it's been.
Her gaze drops only to follow his fingers pinching the flannel between them. She knows that habit. He's trying to keep from losing it. Maybe because of the dark cell, or the fact he's been through only God knows what in the forest. Even the brothers got under his skin. Maybe it's all of it.
« What has this loop been like for him? We usually cross paths much sooner. Almost at the start of it all. So, why was it so late this time? Did he figure something out? I'd ask, but... he doesn't seem to remember everything here in our reality like he does in the Motel. That's part of the story though. He can't know where it's going while he's in it. Just like everyone else. »
She pauses.
« Did he worry about not finding us sooner? Or, is it just me? »
His question snaps her from her thoughts with Polaris. She sits up right, eyebrows coming together, looking at him as if he's proposed the silliest idea she's ever heard. ]
What? No. [ She shakes her head lightly, causing the loose hair to bounce off her cheeks. ] I lost count of how many times we have--but, no. No. I wasn't going to at all. Why? I already know the answers you gave me countless times.
[ Jesse hesitates for a moment. ] I...
[ « How can I say it without sounding ridiculous? More than I already am around him. »
She looks to the side and frowns to herself. ] I was--I thought that...
[ « I really do sound ridiculous. Maybe I shouldn't have worried at all. It wasn't just worry. I was scared that I lost him this time. Again. Have I? What if he doesn't remember what I do? Or, not enough for it to matter. He promised though. He said he'd write it... »
Jesse frowns more before bundling everything inside her and forcing herself to look back at him. She wants to talk like they did before, be side by side, be with him. ]
I just wanted to talk. [ « Like we have. » ] Not the interviewing kind. Like, how we...
[ She shakes her head again at herself, it's not important. Her eyes stay downwards. Jesse rarely let's herself be vulnerable. Anytime she senses that it might have been wrong to do so? Those walls slowly start to come back up in self-defense, and it's obvious in how her posture goes rigid and the look in her eyes. Of course, Alan knows all those small details. How much he can pick up on them with his current condition is another thing.
[ Fear. Horror. Fear piled on top of fear. Desperation. That's all that Alan's known since this loop began and snowballed into the mess that it is now. Cultists dead. Deer heads covered in blood. Scratch laughing in the distance. Casey missing. Saga- Where did she go? And above all of that, a fear for the safety of a pair of agents. Yes, Alan felt afraid when he didn't see Steve and Jesse anywhere. He felt near panic when he thought that he might not see them this time, for any number of reasons. And clamoring loudly beneath all of that was a fear that Jesse was gone.
Gone from the story, despite his efforts to write her back in. Or just... gone. Dead. Out of his reach forever, never to return. I promised. I promised I'd put us back in. Jesse, I promised.
But Jesse's here, she's alive and talking to him, and arguing with the men in the cell beside his. She's alive, but even as she slides the cuffs onto his wrists that weigh him down and make him feel like he's being pulled down once more, and even as she guides him down the hall and eventually removes the cuffs, he knows he won't believe it until he can touch her himself.
But before he can do that, as he sits on the couch in front of her, he draws his arms back in, wrapping themselves around his torso in what looks like a protective posture. But the truth is, everything aches. His body aches, and even though the cuffs around his wrists are gone, his arms ache too now.
Still, even though everything seems to be protesting and hurting all at once, a great weight has fallen from Alan's shoulders. Jesse's alive. She's here, and as safe as it's possible to be in the middle of this neverending nightmare. She's not dead; he didn't fail to keep his promise. Never mind that Jesse being dead wouldn't mean Alan didn't live up to his word. But if she had died, he would have seen it that way, and nothing would make him change his mind.
He's done so much that brought harm to others, and if the words of Ilmo and Jaakko are anything to go by, he's fucked things up. A lot. But if there's one thing he hasn't done, it's get her killed again. She's not safe, not yet. None of them are. But Alan knows now that he would do just about anything (short of writing her out of the story, since that would be breaking his promise) to keep her alive.
But enough of that; he's been lost in his own head for long enough. Jesse's here and he wants to talk to her. He wants to hear her voice again. It takes a monumental effort to pull himself out of his thoughts, but he manages it eventually. ]
It has. It's been too long. [ And too much has happened. He unwinds one arm from around himself to pinch the flannel again, pinching his wrist beneath the fabric. He needs to stay grounded, or this conversation won't be a conversation.
He startles a bit when he sees her move, shifting until she's sitting upright. Sudden movements make him jumpy, but he manages to start breathing again when he realizes it's still her, not a Taken. He doesn't want to think about her and the Taken in the same sentence. ]
The- The Director likes reports, right? Or should like them. I- I have other answers. New ones. [ Ones I hate. Ones she should hate. But she should know them, shouldn't she? He doesn't want to talk about them. He doesn't want to report what's happened in this loop. He just wants to talk, like she does. Talk, and hold her hand, and be together before the horror story tears them apart again. Because it will. It's hungry. Wild. Angry, even. And there's only so much Alan can do to fight that. ]
What- What did you want to talk about? [ His grey eyes search to meet her green ones, but her gaze is turned downwards and he can't connect with it. I don't want to lose her again. I hope that I haven't lost her. ]
[ Jesse watches each of his movements with keen precision. He's not agitated, but, he's definitely scared. More scared than she's ever seen him before. It doesn't seem like he's lost to whatever pulls his mind away. His powers, the Dark Presence, whatever it is. She's never really asked and doesn't intend to ask. If only because she's sure he wouldn't want to answer the question.
Her jaw slides to the side as he keeps talking. She actually hates reports--namely writing them. Reading them is something she's just used to doing after finding a seemingly endless amount through her combing of the Oldest House. He isn't wrong in the fact she should be asking questions. She should be trying to learn what has happened since they last met. But... not now, and not only because she doesn't want to. Everything about his state of being says those questions and answers are better left for later.
Maybe once he's eaten, and slept, and not covered in blood.
« How long is "too long"? Has he--has it been long enough where he's moved on...? »
She hopes not. The thought alone makes her own heart beat painfully and her hands shake slightly. Her fists curl then uncurl. There's only one way to find out. Even if she's afraid of the truth.
« New answers can wait until the morning. When the sun is out and he's calmer. We need to get through the night--all of us here. Even the assholes in the cell. »
Jesse slowly moves this time. Both hands raise, one gently resting against the one pinching himself, and the other resting on top of the pinched wrist. It takes another moment before she brings herself to raise her eyes this time. Her green ones meet his gray ones, and it's clear she's timid. Afraid he might pull his hands away and ask what the hell she's doing.
« He said he forgets. The Dark Presence takes parts of him away and his memory away. What if--what if he forgot about us? So he couldn't put us back in the story. Or, maybe he really has moved on. »
Either way, they should try again. From the start.
She leans forward slightly. Just enough to be tipping into his space, but not far enough where he should feel cornered by her. ]
Alan. [ Her hands gently squeeze his hand and wrist. ] Are you okay? You're here in Bright Falls. With me.
[ In Bright Falls with Jesse, not just the Director.
She knows he isn't and it's obvious. Still, it might help him transition from the idea of interviews. Just the two of them--however they stand now after it's been so long for him. ]
[ He just keeps pinching his wrist; not constantly, just once every five or ten seconds. Another pinch. And then another one. The sting of the pinch helps ground him somewhat. It's becoming less and less effective as a coping mechanism but Alan refuses to admit it and stubbornly keeps pinching himself.
Eventually, he stops talking, and silence falls in the room. It's quiet. Too quiet, even though there's muffled voices outside the room. Alan doesn't know what to do when it's quiet. In the Dark Place, there's always noise. The Taken stomp around. Some of them shuffle. They all say his name. The wind rattles what's left of the leaves in the trees. Car brakes screech, but who's driving the car? He hasn't explained this aspect of the Dark Place because it hasn't come up, but it's not a forest. It's a city. Dark, haunted, possessed... Neon lights glow in the distance, creating an eerie sort of backdrop. It's the perfect haunted playground for the Taken, on the hunt for a writer who's found himself alone.
.... So alone.
Alan's breath catches in his chest, coinciding with Jesse moving slowly, lifting her hands and placing one against both of his own. I'm not alone? Is this real? It's not a dream? In the relative silence, Alan's slow exhaled breaths can be heard as he tries to gather himself. Jesse's hands feel warm against his skin; figures in dreams don't feel warm, do they? Maybe it's in his head, but he feels as though he hasn't felt warm in years. Maybe longer than years. She's here. She's real.
He draws another shaky breath and he shudders involuntarily as he finally, finally allows himself to accept that she's really here. Oh, God, I hope she's really here. Please let this be real. Even if it's a loop, things that happen in the loops still feel real. Terrifyingly so, sometimes. But Alan wants this one thing to be real.
He sees her lean in closer, and feels her hands squeezing his. ] ... Jesse. [ Jesse. ] I'm- [ I'm not okay, but she knows that. She doesn't need to hear again how completely messed up I am. ] Great. Peachy. Just peachy.
[ I've never said "peachy" before. This place really is messing with my head. It's worse than I thought. ]
What about you? Are you okay? I- [ Should I tell her? Yeah, I'm going to tell her. I don't know why, but I think she needs to know that something's different, if she hasn't picked it up already. ]
I looked for you. Tried to find you. But I couldn't, for some reason. [ I thought you might be dead. I didn't want to think it, but- It was there.
And now it's Alan's turn for his gaze to lower, gray eyes shifting away as fear tugs at him again. He pauses for a second, and then he adds: ]
I did what you wanted me to. [ It's there. It's in the story. Edited in. It just has to play out that way now. Like scenes from a movie. We just have to get to that point. Wait, I have something. I was keeping it for her.
It's folded up in the pocket of his jeans, and he has to briefly pull one hand away from Jesse in order to get it. It's wrinkled and one corner has a tear in it, but the writing on it can still be seen. It's a typewritten page, but what makes it more notable is the deep pen scratch marks that are all over it.
The scratch marks aren't orderly at all; they're erratic and uneven, and it looks as though it was done in a rush. Alan's scrawled writing is equally rushed and uneven, but the words can still be read without too much trouble. There's certain parts where the letters look like they were written with a shaking hand and a wobbling pen, as if the writer was taken by a fit of... of something. There's even a hole in the page where it looks like the point of the pen tore through the paper with the force with which it was written on.
Names, words, events... they're all scribbled down on the edited page. It's not a neat job by any means, but Alan had to take something that was written and alter it. He had to make it fit even though he was changing it. Expanding on it but still leaving it vague enough that something sinister didn't lash out in rage.
Whatever the case, Alan knows Jesse should see the page and how he changed it in order to fulfill the promise he made. ]
It's here if you want to see it. [ Well, it's not everything in entirety, as it's just one page out of many, but he hopes she realizes that there's more pages just like this one. This one is relevant because it's about them. He holds it out to her, wondering if she'll take it. ]
[ Silence falls and she continues to watch him. Not eerily or in an overbearing way. Intently, worriedly. He was acting more like himself in the cell--until the brothers started up. Something they said got under his skin. Made whatever is going in his head worse.
« He's not drifting away. He's still here, but, not fully. More like he's distracted instead of wandering. In his head, I mean. »
Then, he speaks again. Her gaze lifts once more at the sound of her name and not formal title or surname. Her eyes light up ever so slightly, but, she still tries to temper her reaction.
Just in case.
Her eyebrows knit together. Peachy? ]
"Peachy." [ The corners of her lips tug, but the humor tone is more in her eyes. Of course, he doesn't mean it, but maybe seeing a lighter reaction will help. ] Maybe I'm a bit more than peachy. But, not much more.
[ Her fingers curl around his hand and wrist. Gently. Anything more than that might set him off. ]
I imagine Casey and Anderson wouldn't let you get far. [ Her gaze softens. ] We were held up at our monitoring site. We never got the tip that the FBI found you. Otherwise, we would of been here sooner.
[ Jesse drops her gaze to look over him again. Dried blood, some mud, signs of a fight. The Cult tried to do a number on him. Or, maybe he did a number to the Cult. Both things are possible even if she wants to believe Alan couldn't bring himself to do... whatever happened to cause so much blood.
What he says next stops her in her metaphoric tracks. Everything she was thinking comes to a sudden stop in her mind. Her eyes widen by a fraction and eyebrows raise. Breath catches in her throat. A small shake is in her hands. ]
...You did? [ Small, quiet, but not disbelief. Surprised.
Green eyes fall from his as she watches every movement his hand makes. She has seen his manuscript pages before. They match the page in the Panopticon. Same size, shape, even font face of the Typewritten Page. Some have been scratched out, or blocked by dried black liquid. This page, however, isn't exactly like the others.
It's torn. Violently scratched out. A hole from a pen tip.
Jesse starts at the top of the page and slowly makes her way down the page. Something is off about the way the unscratched out parts flow. It... doesn't seem like Alan's voice. The written in parts? Yes, those sound like Alan. Even the arrows pointing to when the written parts should be taking place. Those sound like the best selling author she knows and loves.
Her eyes move to the top of the page and read it once more. She can feel how the story is trying to alter things around them. The nudge--just like before--being there to try and get her to act in a way it wants her to. Except, this time, Jesse knows it's not the story. At least, not in the same way that it was for dealing with Hartman. The story is changing because of what they wanted. They demanded this of the story. The one thing that can be theirs despite all the horror going on.
She raises one shaking hand to touch the hand written words. She's never seen Alan's physical writing before--never touched it. It's real, and he really did write it in. Like he said he would. He kept his promise. Did he want to? Was he upset at having to do it, and that's why the page has a hole in it and uneven writing?
« He really wrote it. Like he said he would. Despite everything... he... when was the last time someone kept their promise to me? The last time outside of orders and their job. A promise to me. » ]
...you really did...
[ Most people might say it's obvious he did, as the evidence is in her hands. Or maybe that she is overreacting. But to Jesse Faden? It's proof of someone to believe. Someone who will keep their word in a world that never took hers seriously. Someone to trust with those things that are closest to her, underneath the walls and levels of control.
« Alan really did it. »
She blinks and inhales unevenly. Another blink and she knows it's unstoppable now. That last guarded wall finally comes down. Her vision clouds, and she can feel the warm water start to roll down her cheeks. No tucking her head to the side, darting her eyes away. She keeps them on the page in her trembling hands.
Perhaps, for the first time, Alan Wake is seeing that ordinary woman buried behind walls and control. The girl who played in a dump and lost everything over the span of a few weeks. Who became a woman filled with distrust and paranoia, unable to make a connection like this to anyone. ]
[ While Alan wrestles with the concept that he may not be able to protect her, keep her alive, or even help? Jesse is convinced that they need him. Alan has fought the Dark Presence and Taken before. He knows exactly what needs to be done, the tactics involved, what to expect. They have their information from second hand accounts, but Alan is literally the man that has lived through this before.
Who better to have in their corner?
« We can't survive this AWE--this story--without him. Even if he isn't the main character or the major player? We NEED him. Not just as the writer, but as the... what did you call him? Champion of Light, Torchbearer? That's what we'll need to finish this. »
Her smirk only falters due to the embarrassment showing in her eyes. Put on a show? Really? Should she take it the way her mind goes to? Maybe not. ] Let's see if you can keep up. I don't do repeat performances.
[ Night fall.
A familiar scream in the air.
Jesse knows that sound. Not as well as Alan, or maybe even the other FBC agents in Bright Falls, but she remembers hearing it. In and out of the humming tune that Scratch had with their fateful encounter. It makes the hair on her arms and neck stand up. A panic beats in her heart that she won't admit to anyone about. Especially Alan--he'd insist she not fight. Which just isn't an option for the Director.
At least, not in the way she's the Director.
She doesn't demand Alan to be in any place in particular and lets his instincts guide him. He'll know where to go and fight.
She teleports between the two control points as needed, dropping off ammo and lights to the outside combatants. Inside, she directs barricades and has Polaris keep an eye on Steve as best she can. There aren't as many Taken as she thought there might be. Instead they're powerful. More so than she expected. They may not be overrun with numbers but instead parts nearly buckle and bend with just how furious the once-people of Bright Falls were.
At some point during the exchanges a knife sails through the air. It slices past her, and she's able to grab it with her powers and slingshot it back into the head of the Taken that threw it. She can feel the warm liquid roll down the side of her face, but honestly, it's not even registered that the damage has been done. Her mind is rolling a thousand miles a second in sending weapons back to the senders and aiming lights as needed.
Then, sun breaks.
The Taken don't disintegrate like vampires in the movies. They don't scamper back into the shadows. They wait until the very last shadow disappears before screaming into nothingness. The FBC managed to last a night. She just hopes its the first of many nights.
There's causalities of course. The brothers survived in the cells, and Steve makes it out just fine. Estevez and Alan as well. They only lost two people, but it's still two body bags she's staring at. Two names to write down and send condolences for if the reality of this story comes true in the end.
« Just more names to list... »
Jesse frowns even as Estevez tries to reassure her. Even tells her that Alan did better than she expected and she's glad the Director followed her instincts. Speaking of Alan, Estevez explains she saw Alan head back towards the Sheriff's Office. Probably to catch a breather after all "whatever the fuck that was" as Estevez puts it.
She rummages through the supplies the agents brought with them and finds a change of clothes. Sweatpants and a long sleeve shirt. That's almost nostalgic for some reason she can't truly put her finger on. It's better than the blood soaked clothes Alan had to fight in the night before... although Jesse does feel a slight tinge of disappointment he'd need to leave the jeans and flannel behind.
He looks good in it, when he's not covered in blood.
Jesse knocks on the door, slowly opening it to look inside. The morning sun is filtering through the blinds on the windows and giving off a warm early-fall atmosphere. Her green eyes scan the room until she finds the Writer. She was half expecting him to be pacing around and muttering about what part they need to prepare for next. Instead, she finds him on his back.
Asleep.
She enters the room and stands in the doorway for a long moment. When was the last time she saw him sleeping? Not tormented by nightmares--at least yet--and actually resting? The memory feels faded and from a dream, but she can recall one instance. A motel room further in the mountain passes. Afternoon sun coming through the window. He was next to her under the covers, clothes--somewhere else. That part didn't really matter. What mattered was seeing him sleeping and... being at peace.
Happy.
Maybe she just thought he looked happy in his sleep.
« That was it, wasn't it? When I realized I loved him. Or, at least, when it really sank in. »
She shakes her head at herself. She sets the change of clothes on the back of the couch and pulls a blanket up over him. It doesn't come close to a real bed, but, maybe that can come later this loop. Maybe it'll be the last loop.
Her attention is pulled away by Polaris tugging at her and shimmering down the hall. She leaves as silently as she entered the room. A few strides and she is in the front hallway again. She expects to see the local law enforcement demanding to be let back in for work. Instead, it's the familiar face of an FBI agent she hasn't seen this time around. One she can remember getting along with. ]
Agent Anderson. Good to see you're still here. [ Jesse means it with a smile too. ] Is there something you need?
I need Wake. You have him here, don't you? Your people took him into custody as well as took over my case. [ Anderson shifts the crossbow--crossbow?--on her back and takes a few steps forward. ] I have something he needs to fix this mess. Where is he?
[ Jesse hesitates. Something about this doesn't feel right. Even if she can feel that familiar tug of reality gnawing at her ankles. ] How about we get breakfast first? We can share what we know, come up with a plan, and then I can get you to Wake.
No, I need to talk to him right the fuck now! And who the hell are you anyways? You're not the agent that--
Director Faden. Like I said, we can work together to figure it out. Overriding protocols and changing the game plan is something I can do. So, what do you need with Wake? It can wait until we've all eaten and recovered from last...
[ From somewhere, the Writer may suddenly feel something in his mind. A poke, a prod, but not something gentle like Polaris. Inquisitive. Digging for answers. Trying to make sense of all of it. ]
【 Wake. I have questions and I need the answers to them. Where are you? I have the Clicker. 】
[ With the arrival of nightfall, Alan feels fear set in. Terror, even. But he can't let that fear control him. He has to control it, has to use it as a tool to spur him on to fight back. The Taken only want to kill, and if he's dead, he can't fix the story. He can't fix what needs to be fixed to bring this all to an end. Of course, part of him doesn't truly believe he'll ever see that end. There'll just be more loops on top of loops and him in the middle of it all trying to write the right thing to end the loops for good.
But still, he grasps his flashlight firmly in one hand, and readies the gun in the other. His hands shake, but he holds onto his weapon even harder to try and steady himself. He can't let anyone see that he's afraid.
He starts off inside, but soon enough, he finds himself moving outside to where the Taken are coming. They don't come in waves, but more in groups of two or three, sometimes four. But they hit hard, and they're relentless in their assault. At one point, his weapon jams just as two Taken are bearing down on him. He aims his flashlight at them, burning them with the light, but a flashlight won't put them down for good. One of them swipes at Alan with what was an axe in another life; only the handle remains, but it's not any less effective as a weapon. The axe handle catches him in the side below the ribs and the force of the blow sends him reeling. He barely manages to avoid falling, as that would surely end up with him being overrun, but it's a near miss.
Luckily for him, or perhaps not so luckily, when he stumbles, he narrowly misses tripping over an agent who didn't survive. At first, Alan's eyes widen with horror, and then his expression sobers once more. I'm sorry. This is my fault.
But he doesn't have time to express further remorse to the fallen agent, as the Taken are still coming closer. He grabs the gun the agent once used and launches back into the fight.
As the minutes go by and the fighting continues, Alan finds himself slipping into a state of heightened focus. It's what usually happens when he's locked in a fight against Taken, but it also seems to be keeping his own exhaustion at bay. He can't remember when it was that he last slept, and that lack of sleep is beginning to show in his movements. But to lower his guard could mean death, and that's the last thing he wants right now.
Finally, the sun begins to rise, and with the arrival of the sun, the Taken slowly disappear. They did it. They survived. There will be other fights, and the Taken will return, but they survived. Alan slowly moves to the closest wall so he can lean against it, and as he does, he passes the same fallen agent whose gun he took to use in the fight. A feeling of regret pulls at him, and he hates how the process of writing the story has made him rationalize horrible things that happen. Rationalize, but not like. He could never be truly all right with senseless deaths even if the story demanded horror and horrific events.
From his position leaning against the wall, he watches the various agents moving around. Estevez made it through the night. He even caught a glimpse of Steve from a distance. He thought he saw a flash of red hair also from a distance but wasn't able to get a better look.
Estevez herself passes by Alan at one point and stops, giving him a nod of acknowledgment. ]
You handled yourself well out there, Wake. I'm going to be honest, I wasn't sure what to expect from you, but you exceeded my expectations. [ The agent offers a tired smile, but it's a genuine one. She has to move on fairly quickly, as she has some things she has to oversee, not leaving Alan much time to respond, but he has just enough time to offer a small smile in return.
Eventually, Alan realizes that his presence isn't exactly required now that the fight is over and the process of regrouping and assessing the state of affairs has begun. The agents don't require his assistance anymore now that the Taken have gone, and he's back to just being a person of interest in their investigations. The feeling of exhaustion returns as his heightened adrenaline fades, and he decides to head back to the sheriff's office to think.
Once there, he sits down on the couch, planning to just sit there and think about what to do next until someone came to collect him again. But instead, he ends up falling asleep, lured into sleep by his exhaustion and the relative comfort of the couch. How long has it been since he was anywhere remotely comfortable? Either way, sleep claims him and Alan's dead to the world.
He doesn't even register Jesse entering the room or leaving it again because he's sleeping so deeply. It seems that he needed the rest so much that nothing could disturb him. And the nightmares he feared he would see if he fell asleep haven't come.
The only thing that disturbs him comes a little later in the form of an insistant, nearly incessant prodding in his mind. He frowns in his sleep, shifting on the couch, the expression on his face revealing his sudden discomfort.
What the hell is this? Anderson? What do you want?
Alan's tone is none too pleased, even if it's only in his head. He finally got a chance to sleep, and even that couldn't be undisturbed. Figures. This is the exact opposite of peachy. ]
[ Saga Anderson steps from the darkness of the mind's eyes and stares Alan down. Dirt is over her, clothes dripping wet, crossbow on her back. She's been through a hell of a night. Her partner is MIA, her case taken from her, and the star witness of it all in custody of another department. A department that seems keen on keeping her away from him. ]
【 What do you mean "What do you want"? You SENT me to get the Clicker. You told me I had to get it, and I've been through absolute fucking Hell to do it. So, don't pull that tone on me. 】 [ Saga starts to move to the side, almost like she's circling him. Trying to profile him. Get the information she wants. Trying to See what she wants. ] 【 The FBC won't tell me where you are in here and you NEED the Clicker to fix this mess. This story. 】
[ Saga pauses a moment. Her head turns to look behind her at something. Then, she blips out. A moment passes. Two. Three.
Profiling has always worked for her until she came to Bright Falls. She's met her family and they swap places with her in her Mind Place. This is different. She can't even get the information she wants from her profiling. Like she's...blocked. Denied access. What the hell?
Saga returns to the darkness in the mind before Alan can let sleep pull at him again. ]
【 I can't get anything off the agent that took you into custody, or their boss. I tried "asking." They dodged the question. So, let's make this easy on both of us. We can meet in the back of the lot and I can get it to you through the fence. 】
[ That's one of the first things that Alan notices: the dirt that's covering her and the way her clothes seem to be dripping water. Whatever she's been doing, it hasn't been fun. He imagines he can't look any better, what with the bloodstained flannel and dirt and sweat and who knows what else clinging to him.
I mean exactly what it sounds like! We just dealt with a wave of Taken, and that kept us busy throughout the night. I know what I asked you to do, and- the Clicker's still important, but...
Alan sighs audibly, even through the connection, but he has to admit even to himself that snapping at Saga isn't the right thing to do.
Look, could you just hold onto it for a few more hours? I don't mind meeting with you. I can probably get away while the agents are still cleaning up and documenting everything.
He hopes he can, anyway. Agents like Estevez are far too vigilant, and that's not even getting started with Steve and Jesse.
I just need an hour. Or two hours. Get a coffee or something, and then I'll meet you there.
[ Saga notes his appearance as well. It looks similar to how she saw him when the FBC took him. Which means that's either how he sees himself, or they haven't done anything to try and offer him comfort or unshellshock him. She can't say she's surprised, just more annoyed at the other agency. ]
【 Oh. YOU dealt with a wave of Taken? I was in another Overlap, Wake. I fought your Dark Place, a Taken... and saved my Grandpa. 】 [ Saga gets quiet for a moment before she's on the other side of Alan, continuing her circle motion. Profiling. Examining. ] 【 Two hours? Does my daughter have two hours with this horror story you've made? Can she WAIT that long? I---wait. 】
[ She stops then and flickers in front of him. Her attention is pulled behind her, bushy ponytail covering the back of her head. Sound echos. THUD. Shouting, barking of orders.
Then, an inaudible vibration. Loud despite the sound being gone. More like a frequency? Saga's eyebrows turn up at the sudden blast of what feels like pure energy going through her Mind Place and the space she connects to Alan in.
The connection is cut.
Her attention is drawn back to the front office around her. Estevez is shouting at other agents and down on her knee next to the woman who called herself Director. The woman is clutching her head, bent over, head nearly touching the floor. Another agent--military looking--is down beside her as well.
Things happen in quick succession and Saga can barely keep up.
Another wave of energy strikes her. The military agent's attention is on Saga. He's rushing at her, grabbing her by the arm and shoving her against the wall. Estevez is shouting again. Chaos seems to erupt. ]
Let go of--ow! [ Saga is pushed up against the wall further by the agent. ]
[ Alan's response is already formed and on the tip of his tongue when something strange seems to happen. Well, something stranger, anyway. The definition of "something strange" seems to have changed a few times by now, and just keeps on changing.
One second, Saga is there snapping at him, and with good reason. Even Alan can admit that. But the next second, she's gone, and Alan's connection to Saga's Mind Place is gone as well. He stirs on the couch, still stubbornly clinging to sleep, even though his mind is alert and trying to claw its way back to the waking world. Something is going on, something not good, and he needs to wake up.
Alan's eyes abruptly snap open and he jolts awake with a gasp. ] What the hell-?
[ The noises outside the sheriff's office send Alan into full alert. What's happening? Shit, this sounds bad. He swings his legs over the side of the couch and stands up, crossing to the door as quickly as he can. He pulls it open and sticks his head outside. ]
What's goin- [ The question dies before he can finish it, as his eyes have just landed on the sight of someone on the floor. No, not just someone. Jesse. ]
What the hell is going on here?
[ Finally, Alan manages to voice the entire question even as he's crossing over to where Jesse's still bent over on the floor. ]
[ « It hurts. Why does it hurt? It's not supposed to hurt. Why? You've never hurt me before! Stop, please, I can't-- »
Everything seems like the volume has been turned up to twenty-four on a dial that was only made for eleven. It's not the normal sounds being amplified like footsteps or yelling. All of that has been drowned out. It's just... sound. Polaris. Vibrating. Almost like she's screaming in Jesse's head. Screaming to drown something else out.
It wasn't this way with the Hiss. It was a battle back and forth. A cancelling out. This isn't that. Polaris is trying to overpower something--push it out. Get it out.
Get what out?
« You're not like this with the Board, or Darling, or Trench, or even Alan... why? Make it stop. PLEASE. Just stop it! I'm sorry, I'm sorry, whatever I did--make it STOP! Just make it STOP!
I'm scared. »
Her forehead is pressed to the floor, both hands on either side of her head, covering her ears. Pressing hard. She's shaking, and not from the waves of energy that seem to roll off her. Pained sounds manage their way out, but they sound muted, quiet, barely audible.
Steve has Saga pushed against the wall and shouting at her not to make another move. Estevez looks up at Alan, telling him to step back. No one seems to know what is going on. They were talking and then suddenly Jesse was on the floor in pain. The only one who seems to know what direction to take is Steve, and perhaps that's because of something else feeding into him.
« I can't feel anything. All I can hear is you, and I can't even hear YOU right--stop it. Polaris, STOP IT. I can't understand you! »
It's never happened before. She can always understand Polaris, even before their bond deepened. So, why now, does Polaris refuse to properly share what is going on?
The sound suddenly mutes out. Everything stops. The pain dulls.
Ring. Ring. Ring.
One of Jesse's hand reaches forward as if she's trying to grasp onto something that's not physically in the room with the rest of them.
Ring. Ring Ring.
< OUR FAVORITE DIRECTOR/PLAYMATE. AN EMERGENCY/DANGER/WEE-WOO. >
Jesse looks around at the room that's not really a room and is pure white. Minus the black marble features everywhere. Her eyes move upwards to the ever present black pyramid. The Board. She feels her expression fall. That's why she can't feel Polaris now. She's in the Astral Plane.
Well, her mind anyways.
< UNAUTHORIZED USE OF THE HOTLINE/PHONE DETECTED. ENEMY PRESENCE MAKING THE RESONANCE/FRIEND UPSET. WE RECOMMEND YOU REMOVE THE THREAT/NOSEY PERSON IMMEDIATELY. >
"Nose-y person"? What the hell are you talking about?
< HOTLINE/PHONE IS MEANT FOR THE BOARD TO CONTACT DIRECTOR/CHOSEN ONE. UNWANTED PEOPLE/SOLICITORS ARE NOT ALLOWED. >
So... is that anyone you don't like, or now anyone that tries to contact me?
< UNWANTED PERSON/SOLICITOR POKES HER NOSE/SNOOT WHERE IT DOES NOT BELONG. FRIEND/RESONANCE HAS CANCELLED OUT THIS TIME. IF DIRECTOR/PLAYER ONE CONTINUES TO REFUSE TO HANDLE THE SITUATION, THE BOARD/US WILL INTERVENE/HACK. >
Hang on! I didn't say I was going to refuse to do... whatever it is you want me to do. I don't even know what's happening! You jerked me into the Astral Plane!
Jesse's outstretched hand begins to shake. The Service Weapon forms immediately. Estevez jumps up.
Polaris shimmers.
Steve seems to react to something. Both arms wrap around Saga and he literally hauls the yelling FBI agent out the front doors. Just in time as it looks like the Service Weapon was shifting to fire.
< THREAT REMOVED/INTERVENED. GIVE UNDERLING/TOP-GUN LL THE CONGRATULATIONS/PAY-RAISE. THE BOARD ADVISES DIRECTOR/FAVORITE ONE TO KEEP THE SOLICITOR/SNOOP OUT. >
Jesse suddenly gasps as her eyes refocus. Her senses seem dulled out still, but the pain has at least started to lessen. Her eyes stare at the floor in front of her.
She feels herself fall to her side. It feels slow, as if she is either being played on a slowed down video or an out of body experience. Like she knows it's her falling, but it doesn't feel like her as well.
« Red...? Why what's red on the floor? Is that--blood? From where? » ]
[ Alan moves back when Estevez tells him to, but not by much. Something's wrong, and he doesn't know what the hell it is. One minute, things seemed as normal as they could in a place and a situation like the one they're all in. The next minute, all hell broke loose.
He's dimly aware of Steve and Saga shouting back at each other, arguing, but all he's focused on is Jesse. He doesn't know what to do; is Polaris overwhelming her for some reason? Is it the Dark Presence? Scratch? What the hell?
Maybe it looks odd to anyone watching, but Alan stands up, turns around, and goes back into the office long enough to grab the pillows from the couch and brings them back over to where Jesse is on the floor. If she has a seizure or collapses more than she already is, he doesn't want her getting hurt.
He sees Jesse's hand move, but there's nothing there. She's grabbing at nothing. It's pure speculation, pure assumption, but the look on her face that isn't just a look of sheer pain is distant. Far away. She's seeing something else. Maybe she's gone somewhere else. Gone where? I don't think I can call her back.
He holds out a hand slowly, not going all the way to reach out and touch Jesse. What if I make it worse?
He freezes because something has just formed in Jesse's hand. A gun. Not just any gun, either. It's the gun Jesse used against the Taken, and now that Alan's seeing it, he's certain it's no ordinary weapon. It's dangerous. Powerful. It has to be, if Jesse can use it. Is that why Steve pulled Saga out of the room? Can I-
Alan's thoughts come to a halt when he hears Jesse gasp. He feels his hand shaking and he clenches it into a fist to stop it. ]
...Jesse? [ His own voice sounds scared, and his nerves aren't eased in the least when he sees her falling slowly to the side. Of course he doesn't react in time to catch her, but he just barely manages to shove the pillows beneath her, hoping they cushion her fall even a little.
This is bad. This is really bad. Shit- She's bleeding.
Alan's hand is still outstretched but stopped as though he's afraid to touch her and set off another attack. Maybe if I don't actually touch her, just... just try to stop the bleeding.
He pulls off the flannel shirt and looks it over trying to find an area that's cleaner than the rest. It takes a minute, but he finds a spot that looks serviceable, and he folds it up carefully and presses it first to her ear, counts out a minute in his head, and then shifts it to press against her nose. She's lying on the other ear, so he can't reach that one, and he's afraid to move her to do it.
I should be doing more. This doesn't feel like enough. But what more can I do?
He's no doctor or paramedic, but he can't just leave her lying there bleeding. ]
It's taken so long to get where she's at. Which, to some, a random bed in some random motel in a backwater town in Washington isn't much. It would of been some inconsequential thing if not for the man she's sharing the room with. That makes it everything in that moment. The last time they had done this feels so long ago that it may has well been in another lifetime. And, some researchers in the Bureau might call it that with the various levels of altered reality they've all slipped through.
She's dimly aware of the arms around her as the gentle familiar tug comes to her mind. Jesse rolls more into the pair of arms holding her. Maybe it's a childish notion, but, she might also be owed something like that. She wants just this one thing without needing to jump to action as soon as some paranormal entity calls. Unfortunately, that paranormal entity happens to be the one she plays host of resonance to. Ignoring her is pretty impossible.
« ...what? Talk to Anderson? Why? I'm here, with Alan. Whatever it is can wait a few hours, can't it? How many ever hours we have until nightfall. Just let me have this time for myself. Please? »
Polaris shifts. Insistent. Time isn't on their side and the story is growing to its next story beat.
Jesse turns further into Alan's hold, as if he'd be able to keep everything out. Of course, he can't, but this one time she wishes she wasn't a hotline for paranormal voices that want attention.
« Fine. How am I supposed to talk to her? I'm not leaving... and you didn't like her inside my head the first time. Not that I enjoyed the idea either. You're sure the Board won't get upset? ...alright. Do whatever it is you need to. »
Polaris' resonance beats through the Sheriff's Station, amplified by the agents wearing the HRAs. Most people would never pick it up, but those that have unique abilities can. A gentle hum that beats like a steady heartbeat. One that can reach out to any needed. Those with unique abilities can sense words sometimes, otherwise it feels like an idea that has suddenly come to them. Maybe even to others it may come as a flash to an image.
That is how Polaris reaches out to the FBI Agent Saga Anderson. A gentle flash of an image of a woman with brilliant red hair, and the inclination to reach out to her again. Gently this time. No intentions of shoving her way in.
Jesse opens her eyes to find herself in the field office of the FBI in the Elderwood Lodge. She glances side to side, turning slightly to note the ordered papers on the wall.
« Huh. I have to admit, it's not quite what I expected. I thought it might be something like when someone uses the Hotline. »
She picks up on the shift in the room. Fair enough, given this isn't Jesse's own mind. Her gaze moves to across the table to find one Saga Anderson. She sets her jaw and lifts her chin slightly. Guarded. She can't help it, even in a mental projection. She hates being profiled, being examined.
« Maybe we can make this more like a conversation than anything else. »
Her hands at her sides raise slightly as if to say tah-dah! Her hair is down, and this time, dressed as the Director of the Federal Bureau of Control. That is who Saga tried to poke after all. ]
Anderson, right? [ Her tone suggests everything about this is very normal for her. It's a little unusual, even for Jesse, but psychic conversations aren't necessarily weird. ] You wanted to talk earlier. So, here I am.
[ Two very different scenes are playing themselves out at the same time. In one scene, Alan's asleep with his arms around Jesse. He doesn't look peaceful, exactly, but he does look more relaxed than he has in a very long time.
In the other scene, Saga Anderson is pacing around lost in thought, or so it appears. She needs something, needs to talk to a specific person. Not just to get information, but to... apologize? Somewhat, anyway. The first time she tried speaking to this person, nothing went the way it should have, and it ended with her being forcibly dragged from the room.
But this time, it's not her doing the reaching. Or the breaking in. Not that the sensation in her mind feels like a break in. It's more like a nudge.
Alan, however, senses a shift. Maybe not from Jesse herself, but from Polaris. Or maybe it's just him reacting to Jesse shifting positions in her sleep and not wanting her to leave the bed or him just yet, even if his sleeping mind has no awareness of what time it is. His arms curl a little tighter around her, not enough to restrict movement, but just enough to hint at an unwillingness to let her go.
But when she stills, he does too, as if he only relaxes when he feels her do the same. Of course, the opposite is true, but as long as she's relatively still, it doesn't take much for Alan to sink deeper into sleep.
Saga's pacing continues, but it's not in the cell she was put in. Thank goodness for that. Even if I'm not really out of there, those brothers were really starting to get to me.
She looks up when she sees Jesse walking towards her, and she can't quite help the feeling of vague respect that rises up when she sees her. There's something about the way she carries herself, the energy that she gives off. It's pulled Saga's focus, at least. Maybe she really did go about this the wrong way. But maybe it's not too late to extend an olive branch. ]
Yeah. [ This is a little awkward. But it's awkward because of me, so I need to fix it now. ] Yeah, I wanted to talk. But first-
[ What do they call that? Humble pie? Yeah. That's it. I can admit when I've screwed something up, and Sevastopol made it pretty clear I screwed a few things up. ]
First things first. I owe you an apology, so... I'm sorry, Director.
[ Jesse stills as her mind reaches out to Saga--or maybe her mind is reached out to. She still reacts as Alan's arms tighten around her, leaning into his hold. Her breathing evens as at least her body calms back down into sleep. Her head still pounds, but, it's only something she's distantly aware of inside the field office in Saga's mind.
She isn't one to go poking around in someone else's head. If only because she wouldn't appreciate it being done to her. Still, she notes the various things Saga has taken notes of. The fact the desk in front of Saga is covered in pictures of faces--hers on one of them. ]
Jesse is fine. I don't really do formalities. [ She gives a little bit of a smile. People still call her "Faden", and she has the feeling Saga would fall into that camp. ] And, apology accepted.
[ Jesse glances to the side quickly. Polaris shifts, but, is relatively silent. Maybe because she doesn't want to tip the other woman off just yet. Fine by her. ]
These... abilities we have. They're not really mapped out or have handguides to them. So, just, be a bit more cautious, I guess? [ « Very directorial of you, Jesse. Smooth. Arish and Steve would never let it down if they heard that. » ] I'm sure it's obvious that I don't like people poking around in my head--even without my own abilities. So, we'll just call it a misunderstanding and move on.
[ She rolls her shoulder a bit before gesturing to the side. ] I can't garauntee I can answer every question you might have. But, I'll give you what information I can.
So... fire away.
[ « We don't have the time to be enemies. So, as open as we can be. » ]
[ Saga would only be lying to herself if she said that she didn't find herself unsure how to proceed with this conversation. She would never readily admit it out loud, but there is something about Jesse Faden that intimidates her, deep down where she hides her true feelings.
In Saga's opinion, although she is very much still working on forming it, the FBC Director is much more competent and solid in her abilities than Saga is. That's not to say she can't learn, and she wants to learn, but recent events have made it clear that she has a long way still to go. ]
All right, Jesse, then. And Saga's fine as well. [ To use Jesse's first name feels strange to her, but she decides that's just something she'll have to deal with. ]
You're telling me. And from the talking-to I got from that ranger, I was- Well, I am a bit of an idiot. But Wake had me believing that getting him the Clicker was the most important thing, and- did you know that my daughter Logan's gotten dragged into this mess?
[ Saga's tone shifts then, betraying her agitation and upset about that. ]
I need Wake to fix what he did. [ And fast. ] But I won't be poking around anyone's heads like that again if I can help it. [ I mean it, I won't be doing that again. It was a mistake, and I get that now. ]
But yeah, I have a few questions about things. About Wake, about you. About whatever the hell is going on here. What's the deal with Wake, anyway?
[ Jesse would be surprised to hear that she's intimidating. On one hand, she does try to project being in control and what a Director should be. On the other hand, Jesse isn't quite sure how she would be intimidating. She's not very tall, insists on dropping formalities... it's all strange to her. ]
Saga it is.
[ « I really thought she'd call me Faden. Huh. »
Her expression sobers as she listens to everything Saga tells her. It's... a lot to unpack in a small amount of time. A "Clicker"? Saga's daughter? Questions about herself, Alan. Those aren't surprising. The last question is a bit broad in that sense. So, maybe it's best to start with that one and move down the list.
She turns and walks a few steps to one side, then a few steps to the other side. Well, time to get answering questions, she supposes. ]
Well, basics, I guess. Wake is a best selling author. He came to Bright Falls in 2010 with his wife. An AWE--sorry, altered world event--similar to this one happened. We still don't know all the details ourselves. People went missing. The "threshold" as we call it was closed. Cauldron Lake is the site of where our reality and another reality--the Dark Place--interact. Wake went missing in 2010, but his wife survived. Then, the FBC moved in to watch the Lake and try to keep people away from it. That was before my time as Director. [ Jesse stops at the other side of the table again. ] Wake's been stuck on the other side of that threshold--the Dark Place--for thirteen years. Trying to get out.
[ « How much do I tell her and how much do I keep between Alan and I? There's things he wouldn't want others to know. Things he's trusted me with. » ]
Caludron Lake reacts to art. It alters our reality to make it real here. The FBC arrested a known therapist who set up shop at Cauldron Lake years ago. He was trying to pull artists to the area that could have their art manipulate reality in the way he wanted. Wake got caught up in that unknowingly. So, the only way to open the threshold on either side seems to be through art.
[ She pauses then, looking back at Saga. She feels Polaris shift. ] And, no. I wasn't aware your daughter was apart of this AWE. How is she involved? And, what the hell is "the Clicker"?
[ Jesse tilts her head back slightly. ] What about me did you want to know?
[ Well, it works out in a way, because Saga's surprised herself. Maybe it's just the combination of how fast everything went to hell (which shouldn't be surprising) and how fast she realized she knocked on the hornet's nest having an impact on how she thinks and feels about one of the people she feels is at the center of all this. Of course, Wake is really at the center of it all, but Jesse's trying to protect him for some reason. It's that reason that she wants to understand. But she's working up to it.
For now, though, Saga just quiets and listens as Jesse gives the summary of what she knows concerning Alan and everything that's going on around them. Questions rise up in her mind but she forces them to sit back down until she's gotten the whole summary. ]
I knew that he'd been missing since 2010. That was all over the news and the internet for a long time. You can still find the conspiracy theories about it if you look. The Dark Place, though... I got bits and pieces from Wake about what that is, but...
[ Saga's expression turns thoughtful and apprehensive as she tries to sort out her understanding of the Dark Place. Realities colliding, interacting, dragging people in- she's handled weird cases before, but this goes a lot farther than just weird. ]
If I hadn't talked to Wake myself, and seen some crazy things firsthand, I'd dismiss all of this as more craziness. But I'm getting the feeling that I haven't seen anything yet. And part of me doesn't want to.
[ She still doesn't feel all that sympathetic towards Alan, not just yet. Sure, she knows that it must have been hell, being trapped in the Dark Place for thirteen years, but that's just objective knowing. She can't know the extent of what he's seen or what he's gone through. She can infer it from looking at him, from seeing how strung out and rattled he is at times, but that's still not the whole picture. There has to be more to this story. That's what I want to find out. ]
I didn't know it either, until... Rose, the waitress at the diner, kept talking about how sad it was that I lost my baby girl. But she's not lost; she's at home where she should be. But Rose is convinced she's- she drowned. [ Saga's voice wavers a little at that admission. If the story changed, if reality shifted, then who's to say Logan isn't in danger? ] I don't know why she's involved, or why Wake thought it was a good idea- no, a sane idea to bring a little girl into this. What the hell was he thinking?
[ Saga forces down the anger she still feels about that, because anger isn't going to make this conversation go any smoother. ]
The Clicker is important somehow. It doesn't even look like anything, just a piece cut from a lamp, but Wake says he needs it to fix the story, so he needs to have it. All of that to say, I don't really know what the Clicker is, because he didn't give a blow-by-blow explanation, but if it's important, I have to get it to him.
[ And it'll save Logan. It has to. ]
I know why you're here. The FBC is looking into things, and you're the FBC Director. I get that.
[ She watches as Jesse walks back and forth before stopping at the table. ]
What is it you're hoping to do here? Stop the... what did you call it? Altered world event? [ I really want to ask why she's so interested in Wake, but that wouldn't be a good opening question. ]
I've read some of those conspiracy theories. They still roam those rumors around. Not as much, after that film his wife put out. Some people really just love their ideas.
[ Jesse nods. ] Not everyone is meant to see how crazy the world is. I wouldn't expect you to hang around on this side once this is over.
[ « Rose, waitress at the diner. She sounds like she'd be important... someone to ask questions to once we're done here. But, killing Anderson's daughter? That doesn't sound like Alan. There are stakes and causalities, but, he wouldn't put a child in harms way. I mean... sure, Casey lost his wife and daughter in the books, but that's different from this. This isn't something Alan would do. Should I tell her? » ]
Wake wouldn't involve a child into something like this. This isn't his story. It's one he's had to edit and change. One that's written by someone else. Which means there's a way to stop it all and save your daughter. We just need to find out what it is. That Clicker might be the a major key of it.
[ She takes the notes in her mind. Piece cut from a lamp... it'd be a powerful lamp. Alan's lamp? The one in his messenger bag? Maybe, but, it feels reaching. There's not enough facts to really make anything conclusive, and Jesse doesn't like acting on blind faith. ]
Altered World Events allow paranormal entities to enter our world. Wake calls it the Dark Presence, the FBC calls it the Shadow. It will try to cross over into our world. That's what we're here to stop. Which sounds like we need to get this Clicker to Wake. He's the only one who can stop it at the core, because he's the one who can change the story. He knows what we're really fighting against. We only have a base somewhat understanding of the Shadow.
[ She looks back at Saga. ] Beyond that there's... FBC related things to deal with. Internal things.
Film, huh? I must have missed that one somehow. [ Cases to solve. People to profile. It doesn't leave a lot of time for things like that. And when I do have time, I try to spend it with Logan. But maybe I should look into this film. It's not a substitute for actually talking more with Wake, but having another perspective would help. Which is why I want to talk to Faden. ]
Are you kidding? After all of this, I don't think I can go back to blissful ignorance, and I'm not even as close to it as some of you. [ But I am, in a way, aren't I? He dragged Logan into this, and now I'm involved. I have to be. I guess I won't know what I can and can't do until all of this is over and I know that Logan is safe. ]
I suppose you would know him better than I do, although why that is, I'm still not sure. [ Saga gives Jesse a once-over as if just looking at her will tell her how she's so acquainted with the strange writer. ] He did say something strange when Casey and I interviewed him. Or, we tried to interview him. I asked if he'd written the pages we found, and he acted like he couldn't remember. He was trying to remember, he said. I suppose that doesn't strike you as odd.
[ She falls silent then as Jesse launches into an explanation about Altered World Events and the threat they're all facing right now. ]
I really hope he knows what he's doing. I'm- Well, I'm going to be honest, I'm not sure just how much I trust him or this Clicker. I get that he believes it's important, but how can one object and one person fix this whole mess? [ Why does she believe in him so much? ]
It's classified, right? [ Saga's face twists into a half-smirk. She's half amused, half not. Of course she knows that some information must be kept classified. It's standard operating procedure across agencies. But maybe if she's cooperative, she might get some level of cooperation in return. ]
🕯 reunion.
Jesse Faden presses her nuckles to her lips. It's still early evening. They have a handful of hours before the sun sets. That is plenty of time to find their missing writer and prepare for whatever terrors are in the night.
She's in her tacticle gear--ready for a fight.
This loop has been drastically different. They were never tipped off that Anderson and Casey found Alan. Maybe they hadn't found him yet. The monitoring site was a disaster the moment she and Steve arrived. "Racoons", they said. There were multiple alerts about the active AWE. Estevez went ahead to investigate while Jesse and Steve did what they could to fortify the site.
Then, she felt him. Or, Polaris did and told her.
Alan Wake was in Bright Falls.
She remembered the first loop--what she could anyways. Their relationship, the fact it was written out of the story. Now, she hopes Alan kept true to his promise and wrote it back into this version. It's so different that maybe he did...
Steve cuts the engine outside the Sheriff Station. Estevez had sent word that they had set up there. Jesse wastes no time exiting the rental, slamming the door shut, and pushing her way into the double doors.
« He really is here. Where? » ]
Director Faden. We have the situation under control. Lights outside with power, a black rock holding cell. It's not protocol, but with the limited resources--
Where is he? You took a parautalitarian into custody, didn't you? Alan Wake. Where did you put him?
[ Estevez blinks as she is cut off and looks to Steve as he enters the building. He pulls the aviators off and shakes his head. The new director will just know things, and apparently, the Polaris Resonance hasn't made its way down the chain. ]
Yes, I mean. We did find and confirm him at the site of the Motel here in town. The Cult of the Tree attacked, Wake was in the forest outside. We have the two leaders of the Cult here too. They're beside him. Director Faden. We've got this covered.
Where. Is. He? [ Jesse catches a shimmer beyond the door. Without waiting for directions, Jesse is pushing the door to the holding cells open.
Steve sighs and shakes his head . He's going to be the one to catch up the field agents on everything. He takes a look around, then gestures with a nod of his head. ]
Got any coffee? I'll go over the basics, Estevez. Which, reminds me. We brought something with us from the Oldest House for everyone...
[ Jesse immediately rounds the corner and sees the three occupied ones. She ignores the first two grumbling pacing people, muttering about the Cult and their job. A glance is spared at them, but her attention is more on the cell that Polaris shimmers towards. In a few almost instant steps she's there at the front.
He's sitting on the bed provided in the cell. Head in his hands. Long hair, beard. Jesse feels her heartbeat skip. Then, it speeds up.
He's really here.
How long has it been since they actually met in person? The Motel is one thing. Messages sent through dimensions is another. This, though, feels so, so different.
Her hands curl around the bars and she leans against the cell doors. She doesn't say anything at first, not wanting to rattle him. Instead, she rests her forehead on the bars and waits. The moment passes into two, then three.
Finally, she speaks up: ]
What did they get you for? Speeding? Jay walking? Oh, flannel out of season?
[ « A joke. That's a good start. »
The two men in the cell next door make biting remarks under their breathe. She sends them a pinned glare. It makes the louder one straighten up and the quiet one rinse his eyebrows. She turns her attention back to Alan. ]
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Alan remembers that being one of his last conscious thoughts before everything went to hell and he was dragged along with it. What else was he doing before the whole world went black? Casey was somewhere, and Alan needed to find him. The cultists were dead. He wore bloodstained flannel. The woods seemed to be reacting, recoiling... recoiling from the looming darkness?
And then the path lead him to a bridge, but as soon as he set foot on it, the pressure in his head increased. He fought, he wrestled with it, tried to keep his fragile hold on his sanity, but in the end, it all failed. He fell, head striking the ground hard, and all went black.
He doesn't remember being dragged from where he was found and brought to a holding cell in the sheriff's station. He doesn't remember the agents depositing him onto a bed inside the cell. He doesn't remember anything but the hell inside his head. Even unconsciousness doesn't spare him from harrowing, horrifying nightmares.
It's black inside his mind, and he's lost in the dark. Not just lost: blind. Fumbling for an exit that doesn't exist. A face, terrifying and evil appears before him: blood around his mouth and on his teeth. Scratch. He bares his teeth and lurches closer to Alan.
Alan jerks on the bed inside the cell, but the nightmare isn't over yet. I'm better at being you then you ever were. I'll take your life, take everything you have. Everything you ever wanted. Friends? They're mine. Love? That's mine too. It's all mine. You'll have nothing by the time I'm done.
Bared teeth come closer, and Alan feels a sharp pain, as if teeth have connected with flesh. The nightmares have turned Scratch into a monster that relishes the taste of blood and the feel of flesh. Not a silly vampire from a dramatic novel. The pain increases as the teeth sink deeper. Alan screams, and in the cell, his eyes fly open.
The Koskela brothers laugh at the man locked in the cell. They laugh as Alan gasps, hands flying to either side of his throbbing head. He doesn't know what time it is, doesn't know how long it takes for his panic to fade into something less sharp, less cutting. The pain in his head doesn't go away, but eventually, Alan regains enough of his senses to be able to sit up in the cell.
Where are they? Where are they!? He can't- he can't have gotten them too. Did he change the story? Did he take them out, when I wrote them in? ...Are they dead? God, please tell me they're not dead.
Time seems to continue slipping on by with Alan still being unaware of the passage of time. It feels like hours, and maybe it is. He's dimly aware of the men in the cell next door pacing around, grumbling, sometimes throwing jabs at him. None of it seems to matter. Alan doesn't move from where he's sitting.
Sometimes other voices register in his mind. Voices he doesn't know. The sheriff, maybe. But there's other voices, new ones: a man and another woman. The man sounds friendly, but resigned. The woman sounds tense. On edge. Alan can relate.
Then there's the sound of a creaking door and approaching footsteps. Alan still doesn't lift his head from his hands. Whoever's coming, it can't mean anything good. Is "good" even a concept in the world anymore? Everything feels like horror and death, corruption and loss of control... and blood. So much blood. The blood has soaked into Alan's flannel shirt, and the metallic smell is enough to make him sick. Maybe he'll never forget how nauseating the scent of clothes soaked in blood can be.
Someone's approaching. The steps are resolute but not heavy. Somewhere between light and heavy. Where are they?
Slowly, so very slowly, Alan's head lifts from his hands. He sees someone standing at the bars, hands curled around them, and forehead coming to rest against them. Wait. He sees a flash of red hair, and his breath leaves him in an instant. He knows that voice. It's the voice he hears in his mind sometimes. Memories. Dreams? What's the difference between a memory and a dream? ]
.... Jesse?
[ She's here. She's safe. Relief washes over him in spite of himself, and for a moment, he forgets about everything that led him here. He forgets he's in a cell covered in blood. Forgets the pounding in his head. He smiles, and it probably looks unsettling, given his rough appearance, but at least it's a smile. ]
It was definitely the flannel. [ The comment earns him a few more derogatory words from the men in the cell next door, but he ignores them. He's just glad to see her: the closest thing here to a friendly face. ]
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The expression in her jaw and face says the Director of the Federal Bureau of Control except her eyes. That fond smile only he gets is shinning brightly there. Something he should be able to pick up immediately on after their---well, time together. Maybe it comes off as unnerving or clashing to see the controlled woman speaking in her body language, but, she imagines it can't be. Not when he's a best selling novelist. ]
It's seen better days. [ She nods to the shirt... under shirt... everything he's wearing. ] I'm guessing it's not from rolling in the hay at pre-Deerfest festivities.
[ « He looks like hell. What the hell is happening in this AWE? It's different--I mean, different enough. He's usually covered in mud or soaking wet. Not... Taken don't leave blood behind. »
Her expression falls slightly as she is about to ask him something else before Ilmo Koskela smacks his hand on the bars. Jesse's gaze moves over to him, even if her head doesn't move from resting on the bars.
« Wait, THEY'RE the leaders of the Cult? The brothers with the ridiculous commercials? Damn. They were funny too. » ]
You better step the fuck away if you know what's good for you. You can't TRUST that sonovabitch! He's gonna kill you! All of us! [ Ilmo jabs his hand through his cell and points directly at Alan. ] Go tell those government fucks to let us out and let us finish the job. He dies, it all stops!
Illmo's right. [ The quieter brother pitches in. ] It's his fault. If you don't put a bullet in him then we will.
[ Jesse's eyes move back to Alan. Her expression doesn't change, but she seems to ask him something along the lines of "What the hell have you been doing?" without asking. She pushes herself up from the bars and door, fingers moving to the lock. She doesn't need the key to get out. Not when she can cheat a little bit with her powers. That and she may have forgotten to ask Estevez for the key. Her tunnel vision on finding him kicked in, just like it had for Dylan. ]
I hope you're in good enough condition to walk, Wake. I'm moving you. [ Another quick glance is given upwards, making direct eye contact with him. She has to be the Director, and hopes he doesn't take it personally or the wrong way. It's just until she can get him somewhere else. Somewhere with more light. ] I'm going to override and say keeping you next to the two cult leaders is a bad choice.
Are you fuckin' stupid, woman? [ Ilmo slams against the cell door as Jesse motions for Alan to walk over to the door as it unlocks. ] Did you not hear a single word we just said? He's gonna kill us all if you let him out and don't let us take care of this! You ain't a local, and you ain't a fed, so who the hell are you to decide what happens in our town?!
[ Jesse keeps her hands on the door of Alan's cell and keeps it shut with her powers. A long breath comes from her. One more glance is sent up to Alan before her head turns to the two crowing brothers. Her gaze is piercing and calculating again, looking each one of them over. She can't profile like Anderson, and she's damn well not a cop, but she can be just as intimidating when she wants to be.
At least, she thinks she seems that way. ]
The both of you are under arrest for suspicion of paracriminality, breaking not only natural laws of the way things function, but purposely causing it. If I were you two? I'd shut the hell up before you say something very stupid to the Director of the agency that has you under lock and key. [ She turns to the two cells as if to accentuate her point. The brothers stand straight and stare in disbelief that well--someone as young and not federal looking is who she claims to be. ] Let me see if I understand this. You two lead a local cult, suspected of murders that turn people into shadowed individuals. Ones with no will, no mind, and all their humanity carved out. They run rampant in the middle of the night and kill others. And now, you're claiming it's all Mr. Wake's fault, and that if I don't let you kill him, he's going to kill us.
You do realize that sounds absurd to someone who deals with this shit every day? [ She nods to the doors. ] I'd suggest you step back before you make an even worse impression on me. Now, shut up. Last warning.
[ Jesse looks back at Alan with a slight apologetic look on her face. Not for the display, but for what she'll have to do next. She's still the Director. She has to make sure people around her safe--especially when they don't really know what the hell is going on with him. All the field agents know is that he's a parautalitarian and quite possibly the cause of what's going on. She needs to make sure everyone feels safe--even if she knows none of them really are.
She swings the door open and pulls out a pair of handcuffs. Pure black in color, and obviously not standard use. She motions for him to give up his hands and gently cuffs him. Then, with one more apologetic glance upwards, she gestures with her head for him to walk with her. A hand curls in the blood soaked flannel sleeve and she starts to guide him from the holding cells even with the brothers crowning on.
« Remind me later that they're not as funny as I thought they were. »
Jesse holds up her other hand when Estevez suddenly jumps from her seat at the sight of Alan out of his cell. ] I've got it handled, Estevez. Calm down. Get the rest of the supplies together and set up. Sevastopol? Instruct Estevez and her team how to set up a Control Point. I'll do the finishing touches later.
[ Steve gives a low whistle and a smirk. ] "Sevastopol"? I guess that means the boss is in--ow!
[ Estevez turns her head as Steve rubs the back of his head and chuckles. Jesse glares at him for the moment, but understands what he means without really saying it. She gently guides him down the hall to the Sheriff's Office. A location that Alan should know well, but, Jesse wouldn't be aware of that fact. Her mind is on the fact that it might be one of the brightest rooms in the whole facility and sundown is a few hours away.
She closes the door behind them and guides him to the couch. Then, she unclicks the cuffs and slides them back into the pocket of her tactical vest. She then grabs a stool with wheels and quietly sits down in front of him. Her eyes look over his wrists at first to make sure the cuffs didn't leave a mark, then, they raise back up to his.
« God, he really does look like hell. What happened? I'll ask that later. He... looks like he just needs a minute. Or an hour. I think we can do that. Let's start out small. »
Polaris shifts in agreement. Then, for the first time in the span of the last few minutes, she shimmers. Just to reach out to the torchbearer briefly.
She gives him a small smile and not with just her eyes this time. Her hands hang between her knees as elbows go on her knees. She hunches over so she can speak quietly, just between the two of them. Not that she thinks he'll really be able to talk much. He seems lucid, unlike so many other loops, but she's not entirely sure just yet.
At least he's saying her first name now. ]
Hi.
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The cell is dark. It makes Alan's skin crawl, and his gaze shifts to one side as if looking behind him to ensure that there's nothing lurking in the dark with him. When he sees nothing there, he shifts again, returning his gaze to look at Jesse through the bars. ]
Deerfest... Deerfest festivities. [ The words slide off Alan's tongue normally, but the meaning behind them is lost on him. ] There won't be a Deerfest this year, not if- if things keep going the way they are. It's my fault. His fault. [ The cult's fault. But I wrote the cult in, didn't I? Or did he do that? Does it matter? The cult is here.
Alan is about to say something more when Ilmo slams his hand against the bars, causing him to jump almost out of his skin. Jesse might not have moved away from the bars, but Alan's taken a step back. And then the floodgates from the two brothers open, and with each word, it becomes clear that it's having an effect on the writer. One hand slides up to the side of his head, and the other blindly takes hold of the cell bars in front of him.
If you don't put a bullet in him then we will. Alan's hand curls tighter around the bars, turning the skin of his fingers white from the pressure. Put a bullet in me, I'm done. But I can't be done. I have to keep writing. I know what happens if I stop. He gets in. He creates the horror.
His gaze shifts again as some semblance of awareness returns, and he sees the pointed look in Jesse's eyes, and the unspoken question there. When she finds out, what will she think? ]
You're... moving me? It's- It isn't safe. He could come back. Could come to find me, and you'll all be in danger. [ Never mind that the danger never stops, not really. ] Don't you think I should stay here?
[ The sound Ilmo makes as he slams against the cell door causes Alan to jump again. The darkness of the holding cells and his rattled nerves are really starting to get to him. He sees the way that Jesse is looking at him, how she pins him with a direct stare. She's doing something. Planning something. And he needs to go along with it. Luckily for them both, he trusts her. She's shown him he can trust her, and then some.
He ducks his head briefly as another diatribe spills out from Ilmo. And then he hears Jesse's response, another flood of words, and certain words from both of them cause Alan to flinch and recoil. "Shadowed individuals." "He's gonna kill us all." "Humanity carved out." "It's all Mr. Wake's fault." "Now, shut up."
It isn't until he spots the cuffs in Jesse's hand that Alan understands the reason for the look of apology she's giving him. Inwardly, he's shrinking back. Outwardly, he tries to appear unaffected. It doesn't quite work, but he knows what she's doing. It's necessary. He's a danger. The people here don't trust him, and why should they?
With that thought in his head, he raises his hands so she can put the cuffs on him. And at her gesture, he follows her, only occasionally stumbling here and there when uncertainty tugs at his mind. His gaze travels down to where her hand is curled into the blood-soaked fabric of his sleeve. How can she touch me? Can't she see the blood? How could she miss it? It's everywhere.
The blood is on his hands and on his face, flecks of it clinging to his beard. Even the briefest glimpses that Alan gets of it is enough to cause a recoil. And just when he thought he couldn't be more traumatized. The stakes are always raising, and the effects on him seem to grow all the time. But he clings to one simple thought: Jesse is here. She'll have a plan. Guidance. She'll know what to do, even if Alan doesn't.
He stays silent throughout the brief exchange with Estevez and Steve. Steve's safe too. Good. As safe as anyone can be, I mean. But then they're moving again, and Alan quietly follows Jesse down the hall. He knows where they're going. He's gone this way before too.
She guides him a few steps more to the couch in the room, and he sinks into it, even though a warning goes off in his mind that he'll get blood on the couch. It's too late for that, most likely. Maybe most of the blood has dried. He sits still as she removes the cuffs, aware of her perusal as she examines his wrists and then looks to meet his gaze.
What now? Another interview? I know she has questions. He tries to smile in return, but it's a ghost of the smiles he's given her before. He's with her, not spiraling too much yet, but it really feels like he's holding on by barely a thread. Maybe talking to her will restore some of those lost threads. She has that effect on him, somehow. ]
Hey. [ At least he can respond, right? Right. ] It's been... it's been a little while. [ His left hand shifts to grasp the sleeve with two fingers, pinching the flannel between them. ]
...You're going to interview me again, aren't you? [ He knows the routine by now. Somehow. ] How many times have we done this? I've- I've kind of lost track.
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The more he speaks, the more notes she makes in her mind. Maybe she would have asked what he meant at one point. Except he's jumping at every sound in the darkened cells, and his knuckles are turning white at every jab the brothers are sending at him. The little details haven't escaped her notice. She may not be a novelist or a writer, but she knows Alan. At least well enough to see the little details coming out about his behavior. She can tell when he's being washed away, when something truly frightens him, and when he's just being an asshole.
Right now it seems he's left frightened behind a few days ago.
She wouldn't call it having a plan. Can she have more than what the architecture of the AWE gives her? Jesse feels she has something vague like a plan. Things she has put together over all the memories she's managed to maintain this time around. Things she's learned through Alan's trial and error, and things through her multiple failed attempts to reach him in the Dark Place.
« If anything? We'll have a base of operations. It's not full proof. We'd need more power... more light... but I guess we can provide the power if needed. We probably will. Would you be willing to do that? »
Polaris shifts.
« I thought you'd say that. »
The handcuffs are made of black rock. The idea is to trap a parautalitarian's powers. Jesse knows his doesn't work like that, but no one else does, so it was a move entirely of comfort for them. If she had the option? She would have walked him out of the cell blocks holding his hand. They don't have that luxury when everyone knows that Alan caused the AWE in 2010 and has most likely caused the one they're all living through at the moment. Regardless, that's why she had checked his wrists. She wanted to make sure the cuffs hadn't damaged or hurt him in any way. ]
Has it--I mean. I guess. [ Jesse shakes her head lightly. He would know better than her. Dreams and the in between loops all blends together for her. Though, given he's the one writing the story? He'd be the one to know how long it's been.
Her gaze drops only to follow his fingers pinching the flannel between them. She knows that habit. He's trying to keep from losing it. Maybe because of the dark cell, or the fact he's been through only God knows what in the forest. Even the brothers got under his skin. Maybe it's all of it.
« What has this loop been like for him? We usually cross paths much sooner. Almost at the start of it all. So, why was it so late this time? Did he figure something out? I'd ask, but... he doesn't seem to remember everything here in our reality like he does in the Motel. That's part of the story though. He can't know where it's going while he's in it. Just like everyone else. »
She pauses.
« Did he worry about not finding us sooner? Or, is it just me? »
His question snaps her from her thoughts with Polaris. She sits up right, eyebrows coming together, looking at him as if he's proposed the silliest idea she's ever heard. ]
What? No. [ She shakes her head lightly, causing the loose hair to bounce off her cheeks. ] I lost count of how many times we have--but, no. No. I wasn't going to at all. Why? I already know the answers you gave me countless times.
[ Jesse hesitates for a moment. ] I...
[ « How can I say it without sounding ridiculous? More than I already am around him. »
She looks to the side and frowns to herself. ] I was--I thought that...
[ « I really do sound ridiculous. Maybe I shouldn't have worried at all. It wasn't just worry. I was scared that I lost him this time. Again. Have I? What if he doesn't remember what I do? Or, not enough for it to matter. He promised though. He said he'd write it... »
Jesse frowns more before bundling everything inside her and forcing herself to look back at him. She wants to talk like they did before, be side by side, be with him. ]
I just wanted to talk. [ « Like we have. » ] Not the interviewing kind. Like, how we...
[ She shakes her head again at herself, it's not important. Her eyes stay downwards. Jesse rarely let's herself be vulnerable. Anytime she senses that it might have been wrong to do so? Those walls slowly start to come back up in self-defense, and it's obvious in how her posture goes rigid and the look in her eyes. Of course, Alan knows all those small details. How much he can pick up on them with his current condition is another thing.
« I miss him. » ]
Nevermind.
[ « Maybe it should have been an invterview. » ]
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Gone from the story, despite his efforts to write her back in. Or just... gone. Dead. Out of his reach forever, never to return. I promised. I promised I'd put us back in. Jesse, I promised.
But Jesse's here, she's alive and talking to him, and arguing with the men in the cell beside his. She's alive, but even as she slides the cuffs onto his wrists that weigh him down and make him feel like he's being pulled down once more, and even as she guides him down the hall and eventually removes the cuffs, he knows he won't believe it until he can touch her himself.
But before he can do that, as he sits on the couch in front of her, he draws his arms back in, wrapping themselves around his torso in what looks like a protective posture. But the truth is, everything aches. His body aches, and even though the cuffs around his wrists are gone, his arms ache too now.
Still, even though everything seems to be protesting and hurting all at once, a great weight has fallen from Alan's shoulders. Jesse's alive. She's here, and as safe as it's possible to be in the middle of this neverending nightmare. She's not dead; he didn't fail to keep his promise. Never mind that Jesse being dead wouldn't mean Alan didn't live up to his word. But if she had died, he would have seen it that way, and nothing would make him change his mind.
He's done so much that brought harm to others, and if the words of Ilmo and Jaakko are anything to go by, he's fucked things up. A lot. But if there's one thing he hasn't done, it's get her killed again. She's not safe, not yet. None of them are. But Alan knows now that he would do just about anything (short of writing her out of the story, since that would be breaking his promise) to keep her alive.
But enough of that; he's been lost in his own head for long enough. Jesse's here and he wants to talk to her. He wants to hear her voice again. It takes a monumental effort to pull himself out of his thoughts, but he manages it eventually. ]
It has. It's been too long. [ And too much has happened. He unwinds one arm from around himself to pinch the flannel again, pinching his wrist beneath the fabric. He needs to stay grounded, or this conversation won't be a conversation.
He startles a bit when he sees her move, shifting until she's sitting upright. Sudden movements make him jumpy, but he manages to start breathing again when he realizes it's still her, not a Taken. He doesn't want to think about her and the Taken in the same sentence. ]
The- The Director likes reports, right? Or should like them. I- I have other answers. New ones. [ Ones I hate. Ones she should hate. But she should know them, shouldn't she? He doesn't want to talk about them. He doesn't want to report what's happened in this loop. He just wants to talk, like she does. Talk, and hold her hand, and be together before the horror story tears them apart again. Because it will. It's hungry. Wild. Angry, even. And there's only so much Alan can do to fight that. ]
What- What did you want to talk about? [ His grey eyes search to meet her green ones, but her gaze is turned downwards and he can't connect with it. I don't want to lose her again. I hope that I haven't lost her. ]
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Her jaw slides to the side as he keeps talking. She actually hates reports--namely writing them. Reading them is something she's just used to doing after finding a seemingly endless amount through her combing of the Oldest House. He isn't wrong in the fact she should be asking questions. She should be trying to learn what has happened since they last met. But... not now, and not only because she doesn't want to. Everything about his state of being says those questions and answers are better left for later.
Maybe once he's eaten, and slept, and not covered in blood.
« How long is "too long"? Has he--has it been long enough where he's moved on...? »
She hopes not. The thought alone makes her own heart beat painfully and her hands shake slightly. Her fists curl then uncurl. There's only one way to find out. Even if she's afraid of the truth.
« New answers can wait until the morning. When the sun is out and he's calmer. We need to get through the night--all of us here. Even the assholes in the cell. »
Jesse slowly moves this time. Both hands raise, one gently resting against the one pinching himself, and the other resting on top of the pinched wrist. It takes another moment before she brings herself to raise her eyes this time. Her green ones meet his gray ones, and it's clear she's timid. Afraid he might pull his hands away and ask what the hell she's doing.
« He said he forgets. The Dark Presence takes parts of him away and his memory away. What if--what if he forgot about us? So he couldn't put us back in the story. Or, maybe he really has moved on. »
Either way, they should try again. From the start.
She leans forward slightly. Just enough to be tipping into his space, but not far enough where he should feel cornered by her. ]
Alan. [ Her hands gently squeeze his hand and wrist. ] Are you okay? You're here in Bright Falls. With me.
[ In Bright Falls with Jesse, not just the Director.
She knows he isn't and it's obvious. Still, it might help him transition from the idea of interviews. Just the two of them--however they stand now after it's been so long for him. ]
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Eventually, he stops talking, and silence falls in the room. It's quiet. Too quiet, even though there's muffled voices outside the room. Alan doesn't know what to do when it's quiet. In the Dark Place, there's always noise. The Taken stomp around. Some of them shuffle. They all say his name. The wind rattles what's left of the leaves in the trees. Car brakes screech, but who's driving the car? He hasn't explained this aspect of the Dark Place because it hasn't come up, but it's not a forest. It's a city. Dark, haunted, possessed... Neon lights glow in the distance, creating an eerie sort of backdrop. It's the perfect haunted playground for the Taken, on the hunt for a writer who's found himself alone.
.... So alone.
Alan's breath catches in his chest, coinciding with Jesse moving slowly, lifting her hands and placing one against both of his own. I'm not alone? Is this real? It's not a dream? In the relative silence, Alan's slow exhaled breaths can be heard as he tries to gather himself. Jesse's hands feel warm against his skin; figures in dreams don't feel warm, do they? Maybe it's in his head, but he feels as though he hasn't felt warm in years. Maybe longer than years. She's here. She's real.
He draws another shaky breath and he shudders involuntarily as he finally, finally allows himself to accept that she's really here. Oh, God, I hope she's really here. Please let this be real. Even if it's a loop, things that happen in the loops still feel real. Terrifyingly so, sometimes. But Alan wants this one thing to be real.
He sees her lean in closer, and feels her hands squeezing his. ] ... Jesse. [ Jesse. ] I'm- [ I'm not okay, but she knows that. She doesn't need to hear again how completely messed up I am. ] Great. Peachy. Just peachy.
[ I've never said "peachy" before. This place really is messing with my head. It's worse than I thought. ]
What about you? Are you okay? I- [ Should I tell her? Yeah, I'm going to tell her. I don't know why, but I think she needs to know that something's different, if she hasn't picked it up already. ]
I looked for you. Tried to find you. But I couldn't, for some reason. [ I thought you might be dead. I didn't want to think it, but- It was there.
And now it's Alan's turn for his gaze to lower, gray eyes shifting away as fear tugs at him again. He pauses for a second, and then he adds: ]
I did what you wanted me to. [ It's there. It's in the story. Edited in. It just has to play out that way now. Like scenes from a movie. We just have to get to that point. Wait, I have something. I was keeping it for her.
It's folded up in the pocket of his jeans, and he has to briefly pull one hand away from Jesse in order to get it. It's wrinkled and one corner has a tear in it, but the writing on it can still be seen. It's a typewritten page, but what makes it more notable is the deep pen scratch marks that are all over it.
The scratch marks aren't orderly at all; they're erratic and uneven, and it looks as though it was done in a rush. Alan's scrawled writing is equally rushed and uneven, but the words can still be read without too much trouble. There's certain parts where the letters look like they were written with a shaking hand and a wobbling pen, as if the writer was taken by a fit of... of something. There's even a hole in the page where it looks like the point of the pen tore through the paper with the force with which it was written on.
Names, words, events... they're all scribbled down on the edited page. It's not a neat job by any means, but Alan had to take something that was written and alter it. He had to make it fit even though he was changing it. Expanding on it but still leaving it vague enough that something sinister didn't lash out in rage.
Whatever the case, Alan knows Jesse should see the page and how he changed it in order to fulfill the promise he made. ]
It's here if you want to see it. [ Well, it's not everything in entirety, as it's just one page out of many, but he hopes she realizes that there's more pages just like this one. This one is relevant because it's about them. He holds it out to her, wondering if she'll take it. ]
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« He's not drifting away. He's still here, but, not fully. More like he's distracted instead of wandering. In his head, I mean. »
Then, he speaks again. Her gaze lifts once more at the sound of her name and not formal title or surname. Her eyes light up ever so slightly, but, she still tries to temper her reaction.
Just in case.
Her eyebrows knit together. Peachy? ]
"Peachy." [ The corners of her lips tug, but the humor tone is more in her eyes. Of course, he doesn't mean it, but maybe seeing a lighter reaction will help. ] Maybe I'm a bit more than peachy. But, not much more.
[ Her fingers curl around his hand and wrist. Gently. Anything more than that might set him off. ]
I imagine Casey and Anderson wouldn't let you get far. [ Her gaze softens. ] We were held up at our monitoring site. We never got the tip that the FBI found you. Otherwise, we would of been here sooner.
[ Jesse drops her gaze to look over him again. Dried blood, some mud, signs of a fight. The Cult tried to do a number on him. Or, maybe he did a number to the Cult. Both things are possible even if she wants to believe Alan couldn't bring himself to do... whatever happened to cause so much blood.
What he says next stops her in her metaphoric tracks. Everything she was thinking comes to a sudden stop in her mind. Her eyes widen by a fraction and eyebrows raise. Breath catches in her throat. A small shake is in her hands. ]
...You did? [ Small, quiet, but not disbelief. Surprised.
Green eyes fall from his as she watches every movement his hand makes. She has seen his manuscript pages before. They match the page in the Panopticon. Same size, shape, even font face of the Typewritten Page. Some have been scratched out, or blocked by dried black liquid. This page, however, isn't exactly like the others.
It's torn. Violently scratched out. A hole from a pen tip.
Jesse starts at the top of the page and slowly makes her way down the page. Something is off about the way the unscratched out parts flow. It... doesn't seem like Alan's voice. The written in parts? Yes, those sound like Alan. Even the arrows pointing to when the written parts should be taking place. Those sound like the best selling author she knows and loves.
Her eyes move to the top of the page and read it once more. She can feel how the story is trying to alter things around them. The nudge--just like before--being there to try and get her to act in a way it wants her to. Except, this time, Jesse knows it's not the story. At least, not in the same way that it was for dealing with Hartman. The story is changing because of what they wanted. They demanded this of the story. The one thing that can be theirs despite all the horror going on.
She raises one shaking hand to touch the hand written words. She's never seen Alan's physical writing before--never touched it. It's real, and he really did write it in. Like he said he would. He kept his promise. Did he want to? Was he upset at having to do it, and that's why the page has a hole in it and uneven writing?
« He really wrote it. Like he said he would. Despite everything... he... when was the last time someone kept their promise to me? The last time outside of orders and their job. A promise to me. » ]
...you really did...
[ Most people might say it's obvious he did, as the evidence is in her hands. Or maybe that she is overreacting. But to Jesse Faden? It's proof of someone to believe. Someone who will keep their word in a world that never took hers seriously. Someone to trust with those things that are closest to her, underneath the walls and levels of control.
« Alan really did it. »
She blinks and inhales unevenly. Another blink and she knows it's unstoppable now. That last guarded wall finally comes down. Her vision clouds, and she can feel the warm water start to roll down her cheeks. No tucking her head to the side, darting her eyes away. She keeps them on the page in her trembling hands.
Perhaps, for the first time, Alan Wake is seeing that ordinary woman buried behind walls and control. The girl who played in a dump and lost everything over the span of a few weeks. Who became a woman filled with distrust and paranoia, unable to make a connection like this to anyone. ]
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— morning.
[ While Alan wrestles with the concept that he may not be able to protect her, keep her alive, or even help? Jesse is convinced that they need him. Alan has fought the Dark Presence and Taken before. He knows exactly what needs to be done, the tactics involved, what to expect. They have their information from second hand accounts, but Alan is literally the man that has lived through this before.
Who better to have in their corner?
« We can't survive this AWE--this story--without him. Even if he isn't the main character or the major player? We NEED him. Not just as the writer, but as the... what did you call him? Champion of Light, Torchbearer? That's what we'll need to finish this. »
Her smirk only falters due to the embarrassment showing in her eyes. Put on a show? Really? Should she take it the way her mind goes to? Maybe not. ] Let's see if you can keep up. I don't do repeat performances.
[ Night fall.
A familiar scream in the air.
Jesse knows that sound. Not as well as Alan, or maybe even the other FBC agents in Bright Falls, but she remembers hearing it. In and out of the humming tune that Scratch had with their fateful encounter. It makes the hair on her arms and neck stand up. A panic beats in her heart that she won't admit to anyone about. Especially Alan--he'd insist she not fight. Which just isn't an option for the Director.
At least, not in the way she's the Director.
She doesn't demand Alan to be in any place in particular and lets his instincts guide him. He'll know where to go and fight.
She teleports between the two control points as needed, dropping off ammo and lights to the outside combatants. Inside, she directs barricades and has Polaris keep an eye on Steve as best she can. There aren't as many Taken as she thought there might be. Instead they're powerful. More so than she expected. They may not be overrun with numbers but instead parts nearly buckle and bend with just how furious the once-people of Bright Falls were.
At some point during the exchanges a knife sails through the air. It slices past her, and she's able to grab it with her powers and slingshot it back into the head of the Taken that threw it. She can feel the warm liquid roll down the side of her face, but honestly, it's not even registered that the damage has been done. Her mind is rolling a thousand miles a second in sending weapons back to the senders and aiming lights as needed.
Then, sun breaks.
The Taken don't disintegrate like vampires in the movies. They don't scamper back into the shadows. They wait until the very last shadow disappears before screaming into nothingness. The FBC managed to last a night. She just hopes its the first of many nights.
There's causalities of course. The brothers survived in the cells, and Steve makes it out just fine. Estevez and Alan as well. They only lost two people, but it's still two body bags she's staring at. Two names to write down and send condolences for if the reality of this story comes true in the end.
« Just more names to list... »
Jesse frowns even as Estevez tries to reassure her. Even tells her that Alan did better than she expected and she's glad the Director followed her instincts. Speaking of Alan, Estevez explains she saw Alan head back towards the Sheriff's Office. Probably to catch a breather after all "whatever the fuck that was" as Estevez puts it.
She rummages through the supplies the agents brought with them and finds a change of clothes. Sweatpants and a long sleeve shirt. That's almost nostalgic for some reason she can't truly put her finger on. It's better than the blood soaked clothes Alan had to fight in the night before... although Jesse does feel a slight tinge of disappointment he'd need to leave the jeans and flannel behind.
He looks good in it, when he's not covered in blood.
Jesse knocks on the door, slowly opening it to look inside. The morning sun is filtering through the blinds on the windows and giving off a warm early-fall atmosphere. Her green eyes scan the room until she finds the Writer. She was half expecting him to be pacing around and muttering about what part they need to prepare for next. Instead, she finds him on his back.
Asleep.
She enters the room and stands in the doorway for a long moment. When was the last time she saw him sleeping? Not tormented by nightmares--at least yet--and actually resting? The memory feels faded and from a dream, but she can recall one instance. A motel room further in the mountain passes. Afternoon sun coming through the window. He was next to her under the covers, clothes--somewhere else. That part didn't really matter. What mattered was seeing him sleeping and... being at peace.
Happy.
Maybe she just thought he looked happy in his sleep.
« That was it, wasn't it? When I realized I loved him. Or, at least, when it really sank in. »
She shakes her head at herself. She sets the change of clothes on the back of the couch and pulls a blanket up over him. It doesn't come close to a real bed, but, maybe that can come later this loop. Maybe it'll be the last loop.
Her attention is pulled away by Polaris tugging at her and shimmering down the hall. She leaves as silently as she entered the room. A few strides and she is in the front hallway again. She expects to see the local law enforcement demanding to be let back in for work. Instead, it's the familiar face of an FBI agent she hasn't seen this time around. One she can remember getting along with. ]
Agent Anderson. Good to see you're still here. [ Jesse means it with a smile too. ] Is there something you need?
I need Wake. You have him here, don't you? Your people took him into custody as well as took over my case. [ Anderson shifts the crossbow--crossbow?--on her back and takes a few steps forward. ] I have something he needs to fix this mess. Where is he?
[ Jesse hesitates. Something about this doesn't feel right. Even if she can feel that familiar tug of reality gnawing at her ankles. ] How about we get breakfast first? We can share what we know, come up with a plan, and then I can get you to Wake.
No, I need to talk to him right the fuck now! And who the hell are you anyways? You're not the agent that--
Director Faden. Like I said, we can work together to figure it out. Overriding protocols and changing the game plan is something I can do. So, what do you need with Wake? It can wait until we've all eaten and recovered from last...
[ From somewhere, the Writer may suddenly feel something in his mind. A poke, a prod, but not something gentle like Polaris. Inquisitive. Digging for answers. Trying to make sense of all of it. ]
【 Wake. I have questions and I need the answers to them. Where are you? I have the Clicker. 】
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But still, he grasps his flashlight firmly in one hand, and readies the gun in the other. His hands shake, but he holds onto his weapon even harder to try and steady himself. He can't let anyone see that he's afraid.
He starts off inside, but soon enough, he finds himself moving outside to where the Taken are coming. They don't come in waves, but more in groups of two or three, sometimes four. But they hit hard, and they're relentless in their assault. At one point, his weapon jams just as two Taken are bearing down on him. He aims his flashlight at them, burning them with the light, but a flashlight won't put them down for good. One of them swipes at Alan with what was an axe in another life; only the handle remains, but it's not any less effective as a weapon. The axe handle catches him in the side below the ribs and the force of the blow sends him reeling. He barely manages to avoid falling, as that would surely end up with him being overrun, but it's a near miss.
Luckily for him, or perhaps not so luckily, when he stumbles, he narrowly misses tripping over an agent who didn't survive. At first, Alan's eyes widen with horror, and then his expression sobers once more. I'm sorry. This is my fault.
But he doesn't have time to express further remorse to the fallen agent, as the Taken are still coming closer. He grabs the gun the agent once used and launches back into the fight.
As the minutes go by and the fighting continues, Alan finds himself slipping into a state of heightened focus. It's what usually happens when he's locked in a fight against Taken, but it also seems to be keeping his own exhaustion at bay. He can't remember when it was that he last slept, and that lack of sleep is beginning to show in his movements. But to lower his guard could mean death, and that's the last thing he wants right now.
Finally, the sun begins to rise, and with the arrival of the sun, the Taken slowly disappear. They did it. They survived. There will be other fights, and the Taken will return, but they survived. Alan slowly moves to the closest wall so he can lean against it, and as he does, he passes the same fallen agent whose gun he took to use in the fight. A feeling of regret pulls at him, and he hates how the process of writing the story has made him rationalize horrible things that happen. Rationalize, but not like. He could never be truly all right with senseless deaths even if the story demanded horror and horrific events.
From his position leaning against the wall, he watches the various agents moving around. Estevez made it through the night. He even caught a glimpse of Steve from a distance. He thought he saw a flash of red hair also from a distance but wasn't able to get a better look.
Estevez herself passes by Alan at one point and stops, giving him a nod of acknowledgment. ]
You handled yourself well out there, Wake. I'm going to be honest, I wasn't sure what to expect from you, but you exceeded my expectations. [ The agent offers a tired smile, but it's a genuine one. She has to move on fairly quickly, as she has some things she has to oversee, not leaving Alan much time to respond, but he has just enough time to offer a small smile in return.
Eventually, Alan realizes that his presence isn't exactly required now that the fight is over and the process of regrouping and assessing the state of affairs has begun. The agents don't require his assistance anymore now that the Taken have gone, and he's back to just being a person of interest in their investigations. The feeling of exhaustion returns as his heightened adrenaline fades, and he decides to head back to the sheriff's office to think.
Once there, he sits down on the couch, planning to just sit there and think about what to do next until someone came to collect him again. But instead, he ends up falling asleep, lured into sleep by his exhaustion and the relative comfort of the couch. How long has it been since he was anywhere remotely comfortable? Either way, sleep claims him and Alan's dead to the world.
He doesn't even register Jesse entering the room or leaving it again because he's sleeping so deeply. It seems that he needed the rest so much that nothing could disturb him. And the nightmares he feared he would see if he fell asleep haven't come.
The only thing that disturbs him comes a little later in the form of an insistant, nearly incessant prodding in his mind. He frowns in his sleep, shifting on the couch, the expression on his face revealing his sudden discomfort.
What the hell is this? Anderson? What do you want?
Alan's tone is none too pleased, even if it's only in his head. He finally got a chance to sleep, and even that couldn't be undisturbed. Figures. This is the exact opposite of peachy. ]
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【 What do you mean "What do you want"? You SENT me to get the Clicker. You told me I had to get it, and I've been through absolute fucking Hell to do it. So, don't pull that tone on me. 】 [ Saga starts to move to the side, almost like she's circling him. Trying to profile him. Get the information she wants. Trying to See what she wants. ] 【 The FBC won't tell me where you are in here and you NEED the Clicker to fix this mess. This story. 】
[ Saga pauses a moment. Her head turns to look behind her at something. Then, she blips out. A moment passes. Two. Three.
Profiling has always worked for her until she came to Bright Falls. She's met her family and they swap places with her in her Mind Place. This is different. She can't even get the information she wants from her profiling. Like she's...blocked. Denied access. What the hell?
Saga returns to the darkness in the mind before Alan can let sleep pull at him again. ]
【 I can't get anything off the agent that took you into custody, or their boss. I tried "asking." They dodged the question. So, let's make this easy on both of us. We can meet in the back of the lot and I can get it to you through the fence. 】
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I mean exactly what it sounds like! We just dealt with a wave of Taken, and that kept us busy throughout the night. I know what I asked you to do, and- the Clicker's still important, but...
Alan sighs audibly, even through the connection, but he has to admit even to himself that snapping at Saga isn't the right thing to do.
Look, could you just hold onto it for a few more hours? I don't mind meeting with you. I can probably get away while the agents are still cleaning up and documenting everything.
He hopes he can, anyway. Agents like Estevez are far too vigilant, and that's not even getting started with Steve and Jesse.
I just need an hour. Or two hours. Get a coffee or something, and then I'll meet you there.
If all goes well, anyway. ]
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【 Oh. YOU dealt with a wave of Taken? I was in another Overlap, Wake. I fought your Dark Place, a Taken... and saved my Grandpa. 】 [ Saga gets quiet for a moment before she's on the other side of Alan, continuing her circle motion. Profiling. Examining. ] 【 Two hours? Does my daughter have two hours with this horror story you've made? Can she WAIT that long? I---wait. 】
[ She stops then and flickers in front of him. Her attention is pulled behind her, bushy ponytail covering the back of her head. Sound echos. THUD. Shouting, barking of orders.
Then, an inaudible vibration. Loud despite the sound being gone. More like a frequency? Saga's eyebrows turn up at the sudden blast of what feels like pure energy going through her Mind Place and the space she connects to Alan in.
The connection is cut.
Her attention is drawn back to the front office around her. Estevez is shouting at other agents and down on her knee next to the woman who called herself Director. The woman is clutching her head, bent over, head nearly touching the floor. Another agent--military looking--is down beside her as well.
Things happen in quick succession and Saga can barely keep up.
Another wave of energy strikes her. The military agent's attention is on Saga. He's rushing at her, grabbing her by the arm and shoving her against the wall. Estevez is shouting again. Chaos seems to erupt. ]
Let go of--ow! [ Saga is pushed up against the wall further by the agent. ]
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One second, Saga is there snapping at him, and with good reason. Even Alan can admit that. But the next second, she's gone, and Alan's connection to Saga's Mind Place is gone as well. He stirs on the couch, still stubbornly clinging to sleep, even though his mind is alert and trying to claw its way back to the waking world. Something is going on, something not good, and he needs to wake up.
Alan's eyes abruptly snap open and he jolts awake with a gasp. ] What the hell-?
[ The noises outside the sheriff's office send Alan into full alert. What's happening? Shit, this sounds bad. He swings his legs over the side of the couch and stands up, crossing to the door as quickly as he can. He pulls it open and sticks his head outside. ]
What's goin- [ The question dies before he can finish it, as his eyes have just landed on the sight of someone on the floor. No, not just someone. Jesse. ]
What the hell is going on here?
[ Finally, Alan manages to voice the entire question even as he's crossing over to where Jesse's still bent over on the floor. ]
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Everything seems like the volume has been turned up to twenty-four on a dial that was only made for eleven. It's not the normal sounds being amplified like footsteps or yelling. All of that has been drowned out. It's just... sound. Polaris. Vibrating. Almost like she's screaming in Jesse's head. Screaming to drown something else out.
It wasn't this way with the Hiss. It was a battle back and forth. A cancelling out. This isn't that. Polaris is trying to overpower something--push it out. Get it out.
Get what out?
« You're not like this with the Board, or Darling, or Trench, or even Alan... why? Make it stop. PLEASE. Just stop it! I'm sorry, I'm sorry, whatever I did--make it STOP! Just make it STOP!
I'm scared. »
Her forehead is pressed to the floor, both hands on either side of her head, covering her ears. Pressing hard. She's shaking, and not from the waves of energy that seem to roll off her. Pained sounds manage their way out, but they sound muted, quiet, barely audible.
Steve has Saga pushed against the wall and shouting at her not to make another move. Estevez looks up at Alan, telling him to step back. No one seems to know what is going on. They were talking and then suddenly Jesse was on the floor in pain. The only one who seems to know what direction to take is Steve, and perhaps that's because of something else feeding into him.
« I can't feel anything. All I can hear is you, and I can't even hear YOU right--stop it. Polaris, STOP IT. I can't understand you! »
It's never happened before. She can always understand Polaris, even before their bond deepened. So, why now, does Polaris refuse to properly share what is going on?
The sound suddenly mutes out. Everything stops. The pain dulls.
Ring. Ring. Ring.
One of Jesse's hand reaches forward as if she's trying to grasp onto something that's not physically in the room with the rest of them.
Ring. Ring Ring.
< OUR FAVORITE DIRECTOR/PLAYMATE. AN EMERGENCY/DANGER/WEE-WOO. >
Jesse looks around at the room that's not really a room and is pure white. Minus the black marble features everywhere. Her eyes move upwards to the ever present black pyramid. The Board. She feels her expression fall. That's why she can't feel Polaris now. She's in the Astral Plane.
Well, her mind anyways.
< UNAUTHORIZED USE OF THE HOTLINE/PHONE DETECTED. ENEMY PRESENCE MAKING THE RESONANCE/FRIEND UPSET. WE RECOMMEND YOU REMOVE THE THREAT/NOSEY PERSON IMMEDIATELY. >
"Nose-y person"? What the hell are you talking about?
< HOTLINE/PHONE IS MEANT FOR THE BOARD TO CONTACT DIRECTOR/CHOSEN ONE. UNWANTED PEOPLE/SOLICITORS ARE NOT ALLOWED. >
So... is that anyone you don't like, or now anyone that tries to contact me?
< UNWANTED PERSON/SOLICITOR POKES HER NOSE/SNOOT WHERE IT DOES NOT BELONG. FRIEND/RESONANCE HAS CANCELLED OUT THIS TIME. IF DIRECTOR/PLAYER ONE CONTINUES TO REFUSE TO HANDLE THE SITUATION, THE BOARD/US WILL INTERVENE/HACK. >
Hang on! I didn't say I was going to refuse to do... whatever it is you want me to do. I don't even know what's happening! You jerked me into the Astral Plane!
Jesse's outstretched hand begins to shake. The Service Weapon forms immediately. Estevez jumps up.
Polaris shimmers.
Steve seems to react to something. Both arms wrap around Saga and he literally hauls the yelling FBI agent out the front doors. Just in time as it looks like the Service Weapon was shifting to fire.
< THREAT REMOVED/INTERVENED. GIVE UNDERLING/TOP-GUN LL THE CONGRATULATIONS/PAY-RAISE. THE BOARD ADVISES DIRECTOR/FAVORITE ONE TO KEEP THE SOLICITOR/SNOOP OUT. >
Jesse suddenly gasps as her eyes refocus. Her senses seem dulled out still, but the pain has at least started to lessen. Her eyes stare at the floor in front of her.
She feels herself fall to her side. It feels slow, as if she is either being played on a slowed down video or an out of body experience. Like she knows it's her falling, but it doesn't feel like her as well.
« Red...? Why what's red on the floor? Is that--blood? From where? » ]
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He's dimly aware of Steve and Saga shouting back at each other, arguing, but all he's focused on is Jesse. He doesn't know what to do; is Polaris overwhelming her for some reason? Is it the Dark Presence? Scratch? What the hell?
Maybe it looks odd to anyone watching, but Alan stands up, turns around, and goes back into the office long enough to grab the pillows from the couch and brings them back over to where Jesse is on the floor. If she has a seizure or collapses more than she already is, he doesn't want her getting hurt.
He sees Jesse's hand move, but there's nothing there. She's grabbing at nothing. It's pure speculation, pure assumption, but the look on her face that isn't just a look of sheer pain is distant. Far away. She's seeing something else. Maybe she's gone somewhere else. Gone where? I don't think I can call her back.
He holds out a hand slowly, not going all the way to reach out and touch Jesse. What if I make it worse?
He freezes because something has just formed in Jesse's hand. A gun. Not just any gun, either. It's the gun Jesse used against the Taken, and now that Alan's seeing it, he's certain it's no ordinary weapon. It's dangerous. Powerful. It has to be, if Jesse can use it. Is that why Steve pulled Saga out of the room? Can I-
Alan's thoughts come to a halt when he hears Jesse gasp. He feels his hand shaking and he clenches it into a fist to stop it. ]
...Jesse? [ His own voice sounds scared, and his nerves aren't eased in the least when he sees her falling slowly to the side. Of course he doesn't react in time to catch her, but he just barely manages to shove the pillows beneath her, hoping they cushion her fall even a little.
This is bad. This is really bad. Shit- She's bleeding.
Alan's hand is still outstretched but stopped as though he's afraid to touch her and set off another attack. Maybe if I don't actually touch her, just... just try to stop the bleeding.
He pulls off the flannel shirt and looks it over trying to find an area that's cleaner than the rest. It takes a minute, but he finds a spot that looks serviceable, and he folds it up carefully and presses it first to her ear, counts out a minute in his head, and then shifts it to press against her nose. She's lying on the other ear, so he can't reach that one, and he's afraid to move her to do it.
I should be doing more. This doesn't feel like enough. But what more can I do?
He's no doctor or paramedic, but he can't just leave her lying there bleeding. ]
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— meeting.
It's taken so long to get where she's at. Which, to some, a random bed in some random motel in a backwater town in Washington isn't much. It would of been some inconsequential thing if not for the man she's sharing the room with. That makes it everything in that moment. The last time they had done this feels so long ago that it may has well been in another lifetime. And, some researchers in the Bureau might call it that with the various levels of altered reality they've all slipped through.
She's dimly aware of the arms around her as the gentle familiar tug comes to her mind. Jesse rolls more into the pair of arms holding her. Maybe it's a childish notion, but, she might also be owed something like that. She wants just this one thing without needing to jump to action as soon as some paranormal entity calls. Unfortunately, that paranormal entity happens to be the one she plays host of resonance to. Ignoring her is pretty impossible.
« ...what? Talk to Anderson? Why? I'm here, with Alan. Whatever it is can wait a few hours, can't it? How many ever hours we have until nightfall. Just let me have this time for myself. Please? »
Polaris shifts. Insistent. Time isn't on their side and the story is growing to its next story beat.
Jesse turns further into Alan's hold, as if he'd be able to keep everything out. Of course, he can't, but this one time she wishes she wasn't a hotline for paranormal voices that want attention.
« Fine. How am I supposed to talk to her? I'm not leaving... and you didn't like her inside my head the first time. Not that I enjoyed the idea either. You're sure the Board won't get upset? ...alright. Do whatever it is you need to. »
Polaris' resonance beats through the Sheriff's Station, amplified by the agents wearing the HRAs. Most people would never pick it up, but those that have unique abilities can. A gentle hum that beats like a steady heartbeat. One that can reach out to any needed. Those with unique abilities can sense words sometimes, otherwise it feels like an idea that has suddenly come to them. Maybe even to others it may come as a flash to an image.
That is how Polaris reaches out to the FBI Agent Saga Anderson. A gentle flash of an image of a woman with brilliant red hair, and the inclination to reach out to her again. Gently this time. No intentions of shoving her way in.
Jesse opens her eyes to find herself in the field office of the FBI in the Elderwood Lodge. She glances side to side, turning slightly to note the ordered papers on the wall.
« Huh. I have to admit, it's not quite what I expected. I thought it might be something like when someone uses the Hotline. »
She picks up on the shift in the room. Fair enough, given this isn't Jesse's own mind. Her gaze moves to across the table to find one Saga Anderson. She sets her jaw and lifts her chin slightly. Guarded. She can't help it, even in a mental projection. She hates being profiled, being examined.
« Maybe we can make this more like a conversation than anything else. »
Her hands at her sides raise slightly as if to say tah-dah! Her hair is down, and this time, dressed as the Director of the Federal Bureau of Control. That is who Saga tried to poke after all. ]
Anderson, right? [ Her tone suggests everything about this is very normal for her. It's a little unusual, even for Jesse, but psychic conversations aren't necessarily weird. ] You wanted to talk earlier. So, here I am.
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In the other scene, Saga Anderson is pacing around lost in thought, or so it appears. She needs something, needs to talk to a specific person. Not just to get information, but to... apologize? Somewhat, anyway. The first time she tried speaking to this person, nothing went the way it should have, and it ended with her being forcibly dragged from the room.
But this time, it's not her doing the reaching. Or the breaking in. Not that the sensation in her mind feels like a break in. It's more like a nudge.
Alan, however, senses a shift. Maybe not from Jesse herself, but from Polaris. Or maybe it's just him reacting to Jesse shifting positions in her sleep and not wanting her to leave the bed or him just yet, even if his sleeping mind has no awareness of what time it is. His arms curl a little tighter around her, not enough to restrict movement, but just enough to hint at an unwillingness to let her go.
But when she stills, he does too, as if he only relaxes when he feels her do the same. Of course, the opposite is true, but as long as she's relatively still, it doesn't take much for Alan to sink deeper into sleep.
Saga's pacing continues, but it's not in the cell she was put in. Thank goodness for that. Even if I'm not really out of there, those brothers were really starting to get to me.
She looks up when she sees Jesse walking towards her, and she can't quite help the feeling of vague respect that rises up when she sees her. There's something about the way she carries herself, the energy that she gives off. It's pulled Saga's focus, at least. Maybe she really did go about this the wrong way. But maybe it's not too late to extend an olive branch. ]
Yeah. [ This is a little awkward. But it's awkward because of me, so I need to fix it now. ] Yeah, I wanted to talk. But first-
[ What do they call that? Humble pie? Yeah. That's it. I can admit when I've screwed something up, and Sevastopol made it pretty clear I screwed a few things up. ]
First things first. I owe you an apology, so... I'm sorry, Director.
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She isn't one to go poking around in someone else's head. If only because she wouldn't appreciate it being done to her. Still, she notes the various things Saga has taken notes of. The fact the desk in front of Saga is covered in pictures of faces--hers on one of them. ]
Jesse is fine. I don't really do formalities. [ She gives a little bit of a smile. People still call her "Faden", and she has the feeling Saga would fall into that camp. ] And, apology accepted.
[ Jesse glances to the side quickly. Polaris shifts, but, is relatively silent. Maybe because she doesn't want to tip the other woman off just yet. Fine by her. ]
These... abilities we have. They're not really mapped out or have handguides to them. So, just, be a bit more cautious, I guess? [ « Very directorial of you, Jesse. Smooth. Arish and Steve would never let it down if they heard that. » ] I'm sure it's obvious that I don't like people poking around in my head--even without my own abilities. So, we'll just call it a misunderstanding and move on.
[ She rolls her shoulder a bit before gesturing to the side. ] I can't garauntee I can answer every question you might have. But, I'll give you what information I can.
So... fire away.
[ « We don't have the time to be enemies. So, as open as we can be. » ]
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In Saga's opinion, although she is very much still working on forming it, the FBC Director is much more competent and solid in her abilities than Saga is. That's not to say she can't learn, and she wants to learn, but recent events have made it clear that she has a long way still to go. ]
All right, Jesse, then. And Saga's fine as well. [ To use Jesse's first name feels strange to her, but she decides that's just something she'll have to deal with. ]
You're telling me. And from the talking-to I got from that ranger, I was- Well, I am a bit of an idiot. But Wake had me believing that getting him the Clicker was the most important thing, and- did you know that my daughter Logan's gotten dragged into this mess?
[ Saga's tone shifts then, betraying her agitation and upset about that. ]
I need Wake to fix what he did. [ And fast. ] But I won't be poking around anyone's heads like that again if I can help it. [ I mean it, I won't be doing that again. It was a mistake, and I get that now. ]
But yeah, I have a few questions about things. About Wake, about you. About whatever the hell is going on here. What's the deal with Wake, anyway?
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Saga it is.
[ « I really thought she'd call me Faden. Huh. »
Her expression sobers as she listens to everything Saga tells her. It's... a lot to unpack in a small amount of time. A "Clicker"? Saga's daughter? Questions about herself, Alan. Those aren't surprising. The last question is a bit broad in that sense. So, maybe it's best to start with that one and move down the list.
She turns and walks a few steps to one side, then a few steps to the other side. Well, time to get answering questions, she supposes. ]
Well, basics, I guess. Wake is a best selling author. He came to Bright Falls in 2010 with his wife. An AWE--sorry, altered world event--similar to this one happened. We still don't know all the details ourselves. People went missing. The "threshold" as we call it was closed. Cauldron Lake is the site of where our reality and another reality--the Dark Place--interact. Wake went missing in 2010, but his wife survived. Then, the FBC moved in to watch the Lake and try to keep people away from it. That was before my time as Director. [ Jesse stops at the other side of the table again. ] Wake's been stuck on the other side of that threshold--the Dark Place--for thirteen years. Trying to get out.
[ « How much do I tell her and how much do I keep between Alan and I? There's things he wouldn't want others to know. Things he's trusted me with. » ]
Caludron Lake reacts to art. It alters our reality to make it real here. The FBC arrested a known therapist who set up shop at Cauldron Lake years ago. He was trying to pull artists to the area that could have their art manipulate reality in the way he wanted. Wake got caught up in that unknowingly. So, the only way to open the threshold on either side seems to be through art.
[ She pauses then, looking back at Saga. She feels Polaris shift. ] And, no. I wasn't aware your daughter was apart of this AWE. How is she involved? And, what the hell is "the Clicker"?
[ Jesse tilts her head back slightly. ] What about me did you want to know?
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For now, though, Saga just quiets and listens as Jesse gives the summary of what she knows concerning Alan and everything that's going on around them. Questions rise up in her mind but she forces them to sit back down until she's gotten the whole summary. ]
I knew that he'd been missing since 2010. That was all over the news and the internet for a long time. You can still find the conspiracy theories about it if you look. The Dark Place, though... I got bits and pieces from Wake about what that is, but...
[ Saga's expression turns thoughtful and apprehensive as she tries to sort out her understanding of the Dark Place. Realities colliding, interacting, dragging people in- she's handled weird cases before, but this goes a lot farther than just weird. ]
If I hadn't talked to Wake myself, and seen some crazy things firsthand, I'd dismiss all of this as more craziness. But I'm getting the feeling that I haven't seen anything yet. And part of me doesn't want to.
[ She still doesn't feel all that sympathetic towards Alan, not just yet. Sure, she knows that it must have been hell, being trapped in the Dark Place for thirteen years, but that's just objective knowing. She can't know the extent of what he's seen or what he's gone through. She can infer it from looking at him, from seeing how strung out and rattled he is at times, but that's still not the whole picture. There has to be more to this story. That's what I want to find out. ]
I didn't know it either, until... Rose, the waitress at the diner, kept talking about how sad it was that I lost my baby girl. But she's not lost; she's at home where she should be. But Rose is convinced she's- she drowned. [ Saga's voice wavers a little at that admission. If the story changed, if reality shifted, then who's to say Logan isn't in danger? ] I don't know why she's involved, or why Wake thought it was a good idea- no, a sane idea to bring a little girl into this. What the hell was he thinking?
[ Saga forces down the anger she still feels about that, because anger isn't going to make this conversation go any smoother. ]
The Clicker is important somehow. It doesn't even look like anything, just a piece cut from a lamp, but Wake says he needs it to fix the story, so he needs to have it. All of that to say, I don't really know what the Clicker is, because he didn't give a blow-by-blow explanation, but if it's important, I have to get it to him.
[ And it'll save Logan. It has to. ]
I know why you're here. The FBC is looking into things, and you're the FBC Director. I get that.
[ She watches as Jesse walks back and forth before stopping at the table. ]
What is it you're hoping to do here? Stop the... what did you call it? Altered world event? [ I really want to ask why she's so interested in Wake, but that wouldn't be a good opening question. ]
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[ Jesse nods. ] Not everyone is meant to see how crazy the world is. I wouldn't expect you to hang around on this side once this is over.
[ « Rose, waitress at the diner. She sounds like she'd be important... someone to ask questions to once we're done here. But, killing Anderson's daughter? That doesn't sound like Alan. There are stakes and causalities, but, he wouldn't put a child in harms way. I mean... sure, Casey lost his wife and daughter in the books, but that's different from this. This isn't something Alan would do. Should I tell her? » ]
Wake wouldn't involve a child into something like this. This isn't his story. It's one he's had to edit and change. One that's written by someone else. Which means there's a way to stop it all and save your daughter. We just need to find out what it is. That Clicker might be the a major key of it.
[ She takes the notes in her mind. Piece cut from a lamp... it'd be a powerful lamp. Alan's lamp? The one in his messenger bag? Maybe, but, it feels reaching. There's not enough facts to really make anything conclusive, and Jesse doesn't like acting on blind faith. ]
Altered World Events allow paranormal entities to enter our world. Wake calls it the Dark Presence, the FBC calls it the Shadow. It will try to cross over into our world. That's what we're here to stop. Which sounds like we need to get this Clicker to Wake. He's the only one who can stop it at the core, because he's the one who can change the story. He knows what we're really fighting against. We only have a base somewhat understanding of the Shadow.
[ She looks back at Saga. ] Beyond that there's... FBC related things to deal with. Internal things.
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Are you kidding? After all of this, I don't think I can go back to blissful ignorance, and I'm not even as close to it as some of you. [ But I am, in a way, aren't I? He dragged Logan into this, and now I'm involved. I have to be. I guess I won't know what I can and can't do until all of this is over and I know that Logan is safe. ]
I suppose you would know him better than I do, although why that is, I'm still not sure. [ Saga gives Jesse a once-over as if just looking at her will tell her how she's so acquainted with the strange writer. ] He did say something strange when Casey and I interviewed him. Or, we tried to interview him. I asked if he'd written the pages we found, and he acted like he couldn't remember. He was trying to remember, he said. I suppose that doesn't strike you as odd.
[ She falls silent then as Jesse launches into an explanation about Altered World Events and the threat they're all facing right now. ]
I really hope he knows what he's doing. I'm- Well, I'm going to be honest, I'm not sure just how much I trust him or this Clicker. I get that he believes it's important, but how can one object and one person fix this whole mess? [ Why does she believe in him so much? ]
It's classified, right? [ Saga's face twists into a half-smirk. She's half amused, half not. Of course she knows that some information must be kept classified. It's standard operating procedure across agencies. But maybe if she's cooperative, she might get some level of cooperation in return. ]
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